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DTSTART;TZID=Europe/Stockholm:20241011T193000
DTEND;TZID=Europe/Stockholm:20241011T204000
DTSTAMP:20260616T002751
CREATED:20240821T061458Z
LAST-MODIFIED:20240823T110154Z
UID:366721-1728675000-1728679200@2025.gas-festival.com
SUMMARY:GIOA: GALA FESTIVAL CONCERT — JOURNEYS IN TIME AND SPACE [SE]
DESCRIPTION:Charles-Marie Widor (1844–1937)\nAllegro from Symphony No. 6\, Opus 42\, No. 2\nHans Davidsson\, Willis organ\nDavidsson Organ and Dance Collaborative \nHymn Improvisation Journey\nSietze de Vries\, Baroque organ \nIsagel Suite from Aniara\nText: Harry Martinson\, 1959\nMusic: Carl Unander-Scharin (1\, 3\, 5\, 6\, 8) 2019/2024\nMusic: Carl and Åsa Unander-Scharin: (4\, 7) 2019\nMusic: Åsa Unander-Scharin (2) 2019 \nÅsa Unander-Scharin: choreography\, music\, dance\, observer\nCarl Unander-Scharin: music\, tenor\, throat\nAmanda Flodin\, alto\nKarl-Peter Eriksson\, baritone\nHans Davidsson\, baroque organ\nGusten Aldenklint\, Ljudhavet\nMagnus Lorentzson\, light design\nUlrika Davidsson\, stage director \nThe Observer system and The Throat system are developed by Åsa Unander-Scharin\, Carl Unander-Scharin and Ludvig Elblaus. In the systems\, recordings by Åsa Unander-Scharin (viola da gamba)\, Carl Unander-Scharin (harpsichord)\, Dorota Siuda (violin) and Hans Davidsson (organ)\, are heard. \nI. Människan\, askans konung\, tenor and organ\nII. Doris landi\, dancer\, observer\nIII. Själv har jag inget namn\, Passacaglia\, tenor and organ\nIV. Den livligt sprattlande ingivelsen\, tenor\, throat\, dancer\, observer\nV. Jag ska berätta vad jag hört om glas\, tenor and organ\nVI. Spjutet\, Toccata\, dancer and organ\nVII. Osynlig för vårt öga gled hon undan\, tenor\, throat\, organ\, dancer\, observer\nVIII. Det finns skydd för nästan allt\, alto\, tenor\, baryton\, organ \nMatthias Weckman (?1616–1674)\nWeine nicht\, es hat überwunden der Löwe von Stamm Juda\nSacred concerto from the year 1663 when the plague descended on Hamburg \nAmanda Flodin\, alto\nCarl Unander-Scharin\, tenor\nKarl-Peter Eriksson\, bass\nArrangement for voices and organ\, Hans Davidsson\nArina Trostyanetskaya\, dance\nDavidsson Organ and Dance Collaborative \nNOTES FOR THE ISAGEL-SUITE \nDuring the spring of 2019\, we began to create a new work based on Harry Martinson’s long suite of poems\, “Aniara”. In 1956\, Swedish poet Harry Martinson (1904–1978) wrote and published his epic poetry suite depicting a spaceship that has lost its course after leaving an earth devastated by war and environmental disaster. His audience was surprised to read this new kind of poetry by their beloved and quite rurally oriented poet. The poems formed the basis for the opera Aniara (1959)\, with a libretto by Erik Lindegren and music by Karl-Birger Blomdahl. The opera was a huge success and toured internationally. \nIn our adaptation of Aniara\, we chose the poems that depict the female pilot Isagel. We wanted to find a way of picturing her relation to the work’s narrator Mimaroben: a relation that is full of mutual respect and fascination for deep scientific thought\, as well as shared abhorrence for the cold\, dark and lonely space outside of the ship. They also share concerns for the remaining few humans and their hopeless future. \nTickets can also be purchased at the door! \nJourneys in Time and Space is a concert by Göteborg International Organ Festival in collaboration with the Parish of Örgryte and Göteborg Art Sounds. \nFoto: Shai Levi
URL:https://2025.gas-festival.com/event/gioa-gala-festival-concert-journeys-in-time-and-space-se/
LOCATION:Örgryte nya kyrka\, Lennart Svegelius V 10\, Göteborg\, 41374\, Sweden
CATEGORIES:2024,2024-11/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Gala2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T220000
DTEND;TZID=Europe/Stockholm:20221022T225000
DTSTAMP:20260616T002751
CREATED:20220831T102320Z
LAST-MODIFIED:20220930T112320Z
UID:310501-1666476000-1666479000@2025.gas-festival.com
SUMMARY:Alex Smoke [UK]
DESCRIPTION:His main interest is in combining traditional forms of composition and musicianship with the more experimental approaches allowed by modern technology. \nInitially trained in classical cello\, drums and singing\, then progressing to electronic production under a range of monikers including Wraetlic\, he has since increasingly focussed on sound for picture\, psycho-acoustics and collaborations with visual artists and orchestral musicians. Recent work has included scoring BBC science programmes\, Order & Disorder and Mechanical Marvels: Clockwork Dreams\, composing a score for Scottish Ballet’s Sibilo and providing music for various other film projects. He also regularly collaborates with visual artist Florence To on installation performances under the name of CØV and Nagoya-based Vokoi on the audiovisual performance project Wraetlic. \nCreation\nFor Creation\, Alex Smoke draws on the Eastern musical tradition that a performance should respond to its own unique environment\, circumstances and audience. He has created a musical instrument: a seven string zither\, which generates harmonics and overtones when its strings are played. As the zither’s repeated\, amplified notes encircle and flow around his audience\, Smoke will use vocals and the chimes of bells to build a spiralling sonic meditation. \nThis concert is curated by Cathie Boyd. \nLinks:\nhttps://alexsmoke.com/\nhttps://open.spotify.com/artist/6x9vRR3sKuI18TqfPqXcvk?si=TJj5pKGsRne0SkxmCkE20A
URL:https://2025.gas-festival.com/event/alex-smoke-uk/
LOCATION:Masthuggskyrkan\, Storebackegatan 15\, Göteborg\, 41318\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Alex-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T200000
DTEND;TZID=Europe/Stockholm:20221022T210000
DTSTAMP:20260616T002751
CREATED:20220907T174505Z
LAST-MODIFIED:20220930T112415Z
UID:311422-1666468800-1666472400@2025.gas-festival.com
SUMMARY:France Jobin & Markus Heckmann [CA/DE]
DESCRIPTION:Entanglement is an artistic project at the crossroads of scientific research inspired by the concept and properties of entanglement in quantum physics and quantum fields theory. The sources of inspiration of France Jobin and Markus Heckmann are based on the two current dominant theories explaining quantum entanglement: the Copenhagen interpretation and the multiverse. In addition to these two theories\, there is the fluidity of time and the principle of quantum entanglement. The Entanglement AV performance is inspired by the same theories; an ambitious immersive experience that has also been translated into Entanglement xr and it is part of Mutek’s Immersive collection. \nAbout France Jobin \nFrance Jobin is a sound artist\, composer and curator residing in Montreal\, Canada. Her audio art can be qualified as “sound-sculpture”\, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path\, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be experienced in a variety of unconventional spaces and new technology festivals across the world. Since 2009\, her focus has been related to Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay\, string theory and more recently\, what she feels to be the most perplexing phenomenon in the world of the quantum\, entanglement resulting in a first presentation\, Entanglement A/V\, with visual artist Markus Heckmann\, which delves into the realms of quantum physics premiered at Mutek Mtl 2021. \nAbout Markus Heckmann \nBorn in Germany in 1977\, Markus Heckmann studied Media-technology at the University of Ilmenau and the Bauhaus University in Weimar before obtaining in 2006 the position of Technical Director at Derivative\, the maker of TouchDesigner\, in Toronto. Heckmann’s personal works have always tended to combine the aesthetic aspects of generative computer graphics with the almost physical aspects of light. Apart from producing visuals and installations for artists like Carsten Nicolai or applications to control the KineticLights of WHITEvoid\, he occasionally takes care of visual stimuli at techno events under the nickname Wüstenarchitekten. \nLinks: \nhttps://www.francejobin.com/ \nhttps://project1.net/
URL:https://2025.gas-festival.com/event/france-jobin-markus-heckmann-ca-de/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/JobinHeckmann-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T190000
DTEND;TZID=Europe/Stockholm:20221022T200000
DTSTAMP:20260616T002751
CREATED:20220907T174226Z
LAST-MODIFIED:20220930T112408Z
UID:311416-1666465200-1666468800@2025.gas-festival.com
SUMMARY:Myriam Boucher [CA]
DESCRIPTION:The Tuning of the Fields tends to evoke those moments of solitude and wonder\, and that feeling of suspended time that inhabits us when listening to the song of the crickets\, eyes closed\, at night\, lying in a field.\n\nAbout Myriam Boucher\nMyriam Boucher is a video and sound artist based in Montreal\, Canada. Her sensitive and polymorphic work concerns the intimate dialogue between music\, sound and image\, through visual music\, audiovisual performance\, Vj-ing and immersive projects. Fascinated by the natural environment\, she creates audiovisual compositions from the landscape and the relationship that human maintains with it. Her work\, « evocative in its dynamism\, brings its audience close to something akin to feeling multiple emotions all at once » (The Link). Boucher’s compositions range from works for orchestra\, ensemble\, collaborative and solo A/V performances. \nLinks:\nhttps://www.myriamboucher.com/
URL:https://2025.gas-festival.com/event/myriam-boucher-ca/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Myriam-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T180000
DTEND;TZID=Europe/Stockholm:20221022T190000
DTSTAMP:20260616T002751
CREATED:20220831T103556Z
LAST-MODIFIED:20220930T112401Z
UID:310506-1666461600-1666465200@2025.gas-festival.com
SUMMARY:Pierre-Luc Lecours & Ida Toninato [CA]
DESCRIPTION:Inner Seas is an audiovisual performance that revolves around the theme of water\, its movements\, its energy. With this project\, Ida Toninato and Pierre-Luc Lecours create a hybrid universe\, at the crossroads of instrumental and electronic worlds\, where baritone saxophone\, modular synthesizer and electric guitar meet. The two creators are accompanied by video projections generated by the sound and projected on two screens placed behind the musicians. \nPierre-Luc Lecours \nPierre-Luc Lecours is a composer and multidisciplinary artist based in Montréal. His artistic practice covers many different mediums and aesthetics\, ranging from music to video and performance. His work is characterized by a search for expressiveness in projects exploring an artistic process aimed at drawing relationships between form\, format\, and content. His influences come as much from the currents of instrumental and electroacoustic contemporary music as from electronic and experimental music. His performances feature everyday objects combined with traditional instrumentation and written-down scoring. \nIda Toninato \nSaxophonist and composer Ida Tonniato lives in Montreal (QC). Her artistic practice delves in acoustic exploration\, reverberant spaces as she creates sonic hybrid universes in which instrumental and electronic are intimatelly intertwinde. Her most recent album\, We Become giants\, has been entirely composed in a former water cistern with a 40 seconds long reverb (Dragon’s eye recordings\, 2020). Her collaborations have roots in different styles and medium\, such as contemporary and improvised music\, ambient and cinema. \n  \nLinks: \nhttps://pierreluclecours.com/ \nhttps://www.idatoninato.com/
URL:https://2025.gas-festival.com/event/pierre-luc-lecours-ida-toninato-ca/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/IdaPierre-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T220000
DTEND;TZID=Europe/Stockholm:20221021T230000
DTSTAMP:20260616T002751
CREATED:20220902T055249Z
LAST-MODIFIED:20220902T060542Z
UID:310730-1666389600-1666393200@2025.gas-festival.com
SUMMARY:Gageego! [SE]
DESCRIPTION:Inspired by the new concert house organ\, Swedish composer Madeleine Isaksson has written a brand new piece for Gageego! and organ. And this evening we get to experience the premiere of that piece! \nThe evening also consists of Isaksson’s piece Fibres for flute\, violin and guitar as well as Anna Korsun’s Spleen for flute\, clarinet\, saxophone\, violin and cello. In Germany based Marina Khrokova’s Installationen the entire sonorous spectrum of the organ is explored. Hans Hellsten\, professor in organ at Malmö Musikhögskola and a specialist in contemporary organ music is this evening’s soloist. \nAbout Gageego!\nGageego! was founded in 1995 and specialises in exploring and making contemporary music more accessible. As one of the most important new forces in Music Sweden\, the ensemble is appreciated for interpreting today’s music at the highest technical and artistic level in a fun and curious way. \nThe concert is presented in collaboration with Göteborg International Organ Festival and Göteborgs Konserthus. \nTickets: \nhttps://tickets.gso.se/sv/buyingflow/tickets/10684/54087/ \nLinks:\nhttps://gageego.se/
URL:https://2025.gas-festival.com/event/gageego-se-2/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Gageego-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T204500
DTEND;TZID=Europe/Stockholm:20221021T211500
DTSTAMP:20260616T002751
CREATED:20220907T172700Z
LAST-MODIFIED:20221011T175702Z
UID:311398-1666385100-1666386900@2025.gas-festival.com
SUMMARY:Sonia Killmann [UK]
DESCRIPTION:Sonia has been exploring the relationship between sound and environment. Her works often involve field recordings\, as well as a mixture of live processing and audiovisual music. Combining her background in electronic music\, digital media and new music\, Sonia is a graduate of the University of Glasgow and went onto to complete her MA in composition at the Royal Conservatoire of Scotland. \nSonia is also a versatile saxophone player and an experienced performer in both live electronic and acoustic music across venues in Europe. Aside from performing\, she has also showcased her installations in venues\, such as the Riverside Museum in Glasgow. In September 2021 Sonia performed Them! There! Eyes? live at Construction Festival in Dnipro (Ukraine). The performance took place at the Palace of Children and Youth. She also showcased this work in February 2021 as part of Sonic Bites.\n\nThem! There! Eyes?\nSonia Killmann’s highly stylised audiovisual work addresses the concept of eye contact as a powerful feature in creating emotional bonds. Consisting of broken up and heavily processed samples of Ella Fitzgerald’s recording of Them There Eyes\, merged with synthesizer sounds and field recordings\, the singer’s voice becomes unrecognisable as it accompanies extracts of Fritz Lang’s pioneering sci-fi epic\, Metropolis. \nThis concert is curated by Cathie Boyd. \nLinks:\nhttps://sonia-killmann.com/work\nhttps://www.youtube.com/channel/UC1ByUCmEgEIXAwwH2Ml0ITg
URL:https://2025.gas-festival.com/event/sonia-killmann-uk/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/Sonia-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T190000
DTEND;TZID=Europe/Stockholm:20221021T200000
DTSTAMP:20260616T002751
CREATED:20220907T173551Z
LAST-MODIFIED:20220930T112203Z
UID:311408-1666378800-1666382400@2025.gas-festival.com
SUMMARY:Zwerm [BE]
DESCRIPTION:Zwerm is an electric guitar quartet based in Belgium and founded in 2007. Over the years the group has collaborated with various composers\, performers and visual artists. Zwerm has never strived for a one-sided artistic profile. During the past fifteen years the quartet dallied between experimental rock\, English renaissance music and contemporary compositions. The common denominator being not so much a particular stylistic view but rather a shared curiosity in all kinds of music. \nThe two pieces that comprises Our Ears Felt Like Canyons II were composed for Zwerm during a period of intense and worldwide changes. Both of the works are an invitation to submerge into an almost physical world of sound. \n‘The piece Curtains was created at a time when the meaning of the word war started to change from something far away into something that came very close. One might be tempted to add iron to the title\, but it is up to the listener to decide which curtains should be opened and which one should be closed. Avaeken is named after the millenium-plus-old oak on the island of Fårö in Gotland\, Sweden. This royal tree has survived and lived through unfathomable time and weather and serves as a reminder of the brevity of human experience in immense time-space and inspiration\, consciousness place and presence. The piece was composed during the month of November 2020\, when the composer sheltered on Fårö in retreat and recovery during the Covid-19 pandemic. \nThis concert is curated by Joost Fonteyne. \nLinks:\nhttp://www.zwerm.be/
URL:https://2025.gas-festival.com/event/zwerm-be/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Zwerm-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T220000
DTEND;TZID=Europe/Stockholm:20221020T224000
DTSTAMP:20260616T002751
CREATED:20220824T132242Z
LAST-MODIFIED:20220914T205236Z
UID:309801-1666303200-1666305600@2025.gas-festival.com
SUMMARY:Heidi Hörsturz [NL]
DESCRIPTION:In her works she examines the influence of new technologies and the social questions that have arisen as a result of digital development. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttps://www.heidihoersturz.com/
URL:https://2025.gas-festival.com/event/heidi-horsturz-nl/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning4.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T210000
DTEND;TZID=Europe/Stockholm:20221020T214000
DTSTAMP:20260616T002751
CREATED:20220824T130650Z
LAST-MODIFIED:20220914T205246Z
UID:309797-1666299600-1666302000@2025.gas-festival.com
SUMMARY:XAIM [IL]
DESCRIPTION:He also known as the creator and the leader of Quetev Meriri\, a well acclaim and one of the most prominent bands of the experimental scene in Israel. XAIM exists in the merging of drones\, noise and abstract rhythmic landscapes. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttps://open.spotify.com/artist/1Sjf0OzJtYRy6U81oOVeoS \nhttps://music.apple.com/il/artist/xaim/1491791903 \nhttps://wikitia.com/wiki/Haim_Rachmani
URL:https://2025.gas-festival.com/event/xaim-il/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning3.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T200000
DTEND;TZID=Europe/Stockholm:20221020T204000
DTSTAMP:20260616T002751
CREATED:20220824T130345Z
LAST-MODIFIED:20220914T205253Z
UID:309793-1666296000-1666298400@2025.gas-festival.com
SUMMARY:Julie Østengaard [DK]
DESCRIPTION:Emergence is a live electronic music performance where the audience streams part of the sound piece through their smartphones\, utilizing them as spatial speakers. This will be supplemented by sound performed on a quadraphonic speaker setup. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nwww.julieoestengaard.com \nhttps://www.instagram.com/julieoestengaard/
URL:https://2025.gas-festival.com/event/julie-ostengaard-dk/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning2.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T193000
DTEND;TZID=Europe/Stockholm:20221020T213000
DTSTAMP:20260616T002751
CREATED:20220902T054758Z
LAST-MODIFIED:20220902T054758Z
UID:310728-1666294200-1666301400@2025.gas-festival.com
SUMMARY:Göteborgs Symfoniker – The Mighty Sound of Organ and Orchestra [SE]
DESCRIPTION:Organist Christian Schmitt handles the cheeky organ part in Poulenc’s concerto with the same skill as in Barber’s Toccata Festiva – masterfully. In Poulenc’s self-assured and cheeky Organ Concerto\, he allows the magnificent sounds to play freely\, in an equally serious and derisory manner\, in the very style of the French composer himself. Poulenc’s contemporary colleague\, the American composer Samuel Barber\, is known for his romantic sensitivity\, but in his Toccata Festiva for Organ and Orchestra he also displays a cheerful and high-spirited side to his music\, which rushes forward in pure exhilaration. \nThis evening’s program also includes Bruckner’s Symphony No. 1\, in which it is possible to discern the familiar characteristics\, with chords and reverberations\, which remind us of the composer’s earlier career as an organist. His first symphony was in actual fact his third (the previous two were called No. 0 and No. 00!)\, and it is truly a genuine Bruckner\, lighter in step than his later heavier compositions\, and a reminder that the composer was once a young man. Even in his earliest symphonies it is possible to discern the familiar characteristics that would gain clearer contours with the passing years. \nThis sound feast is led with the confident hand of Christoph Eschenbach\, former first guest conductor at Göteborgs Symfoniker. \nThe concert is presented in collaboration with Göteborg International Organ Festival and Göteborgs Konserthus. \n  \nTickets \nhttps://tickets.gso.se/sv/buyingflow/tickets/6510/32699/ \n  \nLinks: \nhttps://gso.se
URL:https://2025.gas-festival.com/event/goteborgs-symfoniker-the-mighty-sound-of-organ-and-orchestra-se-2/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/GSO-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T190000
DTEND;TZID=Europe/Stockholm:20221020T194000
DTSTAMP:20260616T002751
CREATED:20220824T125900Z
LAST-MODIFIED:20221014T120750Z
UID:309788-1666292400-1666294800@2025.gas-festival.com
SUMMARY:Cerpintxt & Ruben Sonnoli [EG/UK]
DESCRIPTION:Using wind instruments\, piano\, vocals\, tape\, hydrophones and modular synthesis\, the duo recontextualize jazz in a post-Lynchian limbo mixed with the found sounds of Musique Concrète. \nFor the purpose of supplementing content to the improvisational musical game ‘Dialectically Mediated Distance from Oneself’ by Cerpintxt\, we ask the audience to participate by providing a short sentence (a ‘Scenario’) describing a memory\, a dream they had in sleep\, or a fragmented event in their life. Please enter your response in the form. linked here.   \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks:\nhttps://youtu.be/UYnnezFrpOA \nhttps://soundcloud.com/alaayussry \nhttps://www.rubensonnoli.com/bio
URL:https://2025.gas-festival.com/event/cerpintxt-ruben-sonnoli-eg-uk/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning1.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T180000
DTEND;TZID=Europe/Stockholm:20221020T184000
DTSTAMP:20260616T002751
CREATED:20220824T125430Z
LAST-MODIFIED:20220914T205309Z
UID:309784-1666288800-1666291200@2025.gas-festival.com
SUMMARY:NEKO3 [DK]
DESCRIPTION:For the 2022 EME showcase\, NEKO3 presents a concert of varied program by modern-day composers\, both works written specifically for the ensemble and others worked on in close collaboration with their creators. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks:\nhttp://www.neko3cph.com/
URL:https://2025.gas-festival.com/event/neko3-dk/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/NEKO3-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T170000
DTEND;TZID=Europe/Stockholm:20221020T174000
DTSTAMP:20260616T002751
CREATED:20220824T113815Z
LAST-MODIFIED:20220902T052320Z
UID:309697-1666285200-1666287600@2025.gas-festival.com
SUMMARY:Alexandra Nilsson [SE]
DESCRIPTION:Alexandra Nilsson´s work stretches across acoustic and electroacoustic music\, sound art\, noise and performative practices. At EME 2022 she will premiere a brand new live-set with limestone\, sandstone and electronics. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nTickets:\nThis concert is free of charge! \nLinks:\nhttps://www.alexandranilsson.com/ \nhttps://www.alexandranilsson.com/project/fossil/ \nhttps://www.instagram.com/alexandra.solovkina.nilsson/
URL:https://2025.gas-festival.com/event/alexandra-nilsson-se/
LOCATION:Gathenhielmska Huset\, Stigbergstorget 7\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T150000
DTEND;TZID=Europe/Stockholm:20221020T163000
DTSTAMP:20260616T002751
CREATED:20220914T204615Z
LAST-MODIFIED:20220914T204615Z
UID:312421-1666278000-1666283400@2025.gas-festival.com
SUMMARY:GAS Talks – Fenoba Panel Discussion
DESCRIPTION:From October 18-20 the 2022 edition of Göteborg Art Sounds will be host to the Fenoba conference\, gathering festival promoters and organizers from Denmark\, Norway\, FInland\, Iceland\, Estonia and Sweden. The conference itself is not open to the public\, so we thought it would be a good idea to invite some of the conference participants to be part of an open panel discussion\, reflecting on some of the topics from the conference: \n\nCan we see the festival regarded as a cultural event where opportunities are given for manifestations of freedom of speech\, clear statements and political engagement through artistic expression?\nHow can we expand and defend the festival’s significance and place\, where we as individuals as well as members of society can be given a space to think and feel freely together?\nCould the festival of the future be a place for resistance and confrontation\, while at the same time a place for contemplation and reflection?\n\nAbout Fenoba\nFenoba is a Nordic Baltic Network for music festivals\, initiated by the GAS-festival. The idea behind the network is to create an exchange of artists and collaborations between countries and create an openness between festivals. The network is also meant to be a tool for its members and their ideas\, and a platform to enable learning between Nordic and Baltic music festivals and organizers. \nThe Fenoba network consist of Spor (DK)\, G((o))ng Tomorrow (DK)\, Klang-festival (DK)\, Estonian Music Days (EE)\, Baltic Music Days (EE/LV/LT)\, Musica nova Helsinki (FI)\, Dark Music Days (IS)\, Cycle Music and Art Festival (IS)\, Ultima (NO)\, Punkt (NO)\, Göteborg Art Sounds (SE) and concert organisers Lithuanian Composers’ Union (LT)\, Latvian Composers’ Union (LV). \nRead more here.
URL:https://2025.gas-festival.com/event/gas-talks-fenoba-panel-discussion/
LOCATION:Göteborgs Dramatiska Teater\, Stigbergsliden 5B\, Göteborg\, 41362\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/GAS-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T140000
DTEND;TZID=Europe/Stockholm:20221020T150000
DTSTAMP:20260616T002751
CREATED:20220914T204228Z
LAST-MODIFIED:20220914T204228Z
UID:312419-1666274400-1666278000@2025.gas-festival.com
SUMMARY:GAS Talks - Swedish Fika
DESCRIPTION:This is your chance to meet the Fenoba delegates and as well as the EME artists in a relaxed manner. During the Swedish Fika you can talk about whatever is on your mind\, all while drinking coffee and nibbling on cinnamon buns and cookies. The Swedish FIka is free of charge\, and we hope to see you at Göteborgs Dramatiska Teater! \nAbout Fenoba\nFenoba is a Nordic Baltic Festival Network\, consisting of representatives and organizers of music festivals in all the Nordic and Baltic countries. The network will visit Gothenburg 18-20 October to take part in GAS-festival\, the EME showcases and GAS Talks. \nThe idea behind the Fenoba-network is to create an exchange of artists and collaborations between countries and to form an openness between festivals. The network is also meant to be a tool for its members and their ideas\, and a platform to enable learning between Nordic and Baltic music festivals and organizers. \nThe Fenoba network consist of Spor (DK)\, G((o))ng Tomorrow (DK)\, Klang-festival (DK)\, Estonian Music Days (EE)\, Baltic Music Days (EE/LV/LT)\, Musica nova Helsinki (FI)\, Dark Music Days (IS)\, Cycle Music and Art Festival (IS)\, Ultima (NO)\, Punkt (NO)\, Göteborg Art Sounds (SE) and concert organisers Lithuanian Composers’ Union (LT)\, Latvian Composers’ Union (LV). \nRead more about Fenoba here.
URL:https://2025.gas-festival.com/event/gas-talks-swedish-fika/
LOCATION:Göteborgs Dramatiska Teater\, Stigbergsliden 5B\, Göteborg\, 41362\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/GAS-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T220000
DTEND;TZID=Europe/Stockholm:20221019T224000
DTSTAMP:20260616T002751
CREATED:20220824T124324Z
LAST-MODIFIED:20220914T205325Z
UID:309767-1666216800-1666219200@2025.gas-festival.com
SUMMARY:Arash Pandi & SLØR [IR/DK]
DESCRIPTION:Arash experiments with Iranian classical music through programming microtonal systems\, improvising and various production techniques. By experimenting with physical materials\, found objects\, light\, shadows and movement SLØR creates tactile live animation. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttp://arashpandi.com/ \nhttps://www.mylambertsen.com/
URL:https://2025.gas-festival.com/event/arash-pandi-slor-ir-dk/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T210000
DTEND;TZID=Europe/Stockholm:20221019T214000
DTSTAMP:20260616T002751
CREATED:20220824T123653Z
LAST-MODIFIED:20220914T205333Z
UID:309762-1666213200-1666215600@2025.gas-festival.com
SUMMARY:Andrius Arutiunian [LT]
DESCRIPTION:Sonic vernaculars\, non-western traditions of music making\, and peripheral forms of knowledge are the focus of his most current work. Using open musical forms\, alternate tuning systems\, resonance\, and instrument design\, Arutiunian often works with sound’s political and speculative aspects. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks:\nhttps://andriusarutiunian.com/
URL:https://2025.gas-festival.com/event/andrius-arutiunian-lt/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Andrius-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T200000
DTEND;TZID=Europe/Stockholm:20221019T204000
DTSTAMP:20260616T002751
CREATED:20220824T123006Z
LAST-MODIFIED:20240819T094038Z
UID:309758-1666209600-1666212000@2025.gas-festival.com
SUMMARY:Manca Dornik & Phoebe Bognár [SI/AU]
DESCRIPTION:Their EME concert is a collision of digital and physical\, with multimedia works involving electronics\, video and objects in tandem with instruments and performance. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttps://phoebebognar.com/ \nhttps://www.mancadornik.com/
URL:https://2025.gas-festival.com/event/manca-dornik-phoebe-bognar-si-au/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning1.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T193000
DTEND;TZID=Europe/Stockholm:20221019T213000
DTSTAMP:20260616T002751
CREATED:20220902T054509Z
LAST-MODIFIED:20220902T054713Z
UID:310722-1666207800-1666215000@2025.gas-festival.com
SUMMARY:Göteborgs Symfoniker – The Mighty Sound of Organ and Orchestra [SE]
DESCRIPTION:Organist Christian Schmitt handles the cheeky organ part in Poulenc’s concerto with the same skill as in Barber’s Toccata Festiva – masterfully. In Poulenc’s self-assured and cheeky Organ Concerto\, he allows the magnificent sounds to play freely\, in an equally serious and derisory manner\, in the very style of the French composer himself. Poulenc’s contemporary colleague\, the American composer Samuel Barber\, is known for his romantic sensitivity\, but in his Toccata Festiva for Organ and Orchestra he also displays a cheerful and high-spirited side to his music\, which rushes forward in pure exhilaration. \nThis evening’s program also includes Bruckner’s Symphony No. 1\, in which it is possible to discern the familiar characteristics\, with chords and reverberations\, which remind us of the composer’s earlier career as an organist. His first symphony was in actual fact his third (the previous two were called No. 0 and No. 00!)\, and it is truly a genuine Bruckner\, lighter in step than his later heavier compositions\, and a reminder that the composer was once a young man. Even in his earliest symphonies it is possible to discern the familiar characteristics that would gain clearer contours with the passing years. \nThis sound feast is led with the confident hand of Christoph Eschenbach\, former first guest conductor at Göteborgs Symfoniker. \nThe concert is presented in collaboration with Göteborg International Organ Festival and Göteborgs Konserthus. \n  \nTickets \nhttps://tickets.gso.se/sv/buyingflow/tickets/6510/32699/ \n  \nLinks: \nhttps://gso.se
URL:https://2025.gas-festival.com/event/goteborgs-symfoniker-the-mighty-sound-of-organ-and-orchestra-se/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/GSO-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T190000
DTEND;TZID=Europe/Stockholm:20221019T194000
DTSTAMP:20260616T002751
CREATED:20220824T122636Z
LAST-MODIFIED:20220914T205437Z
UID:309754-1666206000-1666208400@2025.gas-festival.com
SUMMARY:Laure Boer [FR]
DESCRIPTION:Her performances are hypnotic improvisations around traditional instruments\, odd percussions and sometimes a voice\, singing or reciting in her native French; a vibrant universe that is both vulnerable and brutal. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks:\nhttps://laureboer.com/ \nhttps://www.youtube.com/user/laureboer \nhttps://soundcloud.com/laureboer
URL:https://2025.gas-festival.com/event/laure-boer-fr/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Laure-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T180000
DTEND;TZID=Europe/Stockholm:20221019T184000
DTSTAMP:20260616T002751
CREATED:20220824T122323Z
LAST-MODIFIED:20220914T205444Z
UID:309749-1666202400-1666204800@2025.gas-festival.com
SUMMARY:Pablo Sanz [ES]
DESCRIPTION:At the EME showcase\, he will present a quadraphonic version of the work strange strangers. Based on recordings along river tributaries and flooded forests across in central Amazônia\, strange strangers invites us to listen to a singular world of vitality. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks:\nhttp://pablosanz.info
URL:https://2025.gas-festival.com/event/pablo-sanz-es/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Pablo-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T170000
DTEND;TZID=Europe/Stockholm:20221019T174000
DTSTAMP:20260616T002751
CREATED:20220824T114926Z
LAST-MODIFIED:20220902T052320Z
UID:309727-1666198800-1666201200@2025.gas-festival.com
SUMMARY:Katariin Raska & Christian Meaas Svendsen [EE/NO]
DESCRIPTION:The musical concept of double bass and the traditional Estonian bagpipe torupill is representative for the duo’s way of thinking about form and musical storytelling through an extended use of the instruments’ possibilities. The concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nTickets:\nThis concert is free of charge! \nLinks:\nhttp://www.katariinraska.com/ \nhttp://www.christianmeaassvendsen.com/
URL:https://2025.gas-festival.com/event/katariin-raska-christian-meaas-svendsen-ee-no/
LOCATION:Gathenhielmska Huset\, Stigbergstorget 7\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/K_C-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221019T140000
DTEND;TZID=Europe/Stockholm:20221019T163000
DTSTAMP:20260616T002751
CREATED:20220914T203833Z
LAST-MODIFIED:20220926T145822Z
UID:312411-1666188000-1666197000@2025.gas-festival.com
SUMMARY:GAS Talks – EME Artist Presentations
DESCRIPTION:As part of the EME showcase we invited the featured artist to talk more about their art\, their working methods and to show examples of their work. This is a chance for anyone interested in artistic questions to delve deeper and take inspiration from this amazing group of musicians and sound artists. It’s also a chance to meet these artists in an informal setting\, and an opportunity to also meet member from the Nordic-Baltic network festival network Fenoba who will also be present during the afternoon. \nThe participating artists are Alexandra Nilsson (SE)\, Arash Pandi & SLØR (IR/DK)\, Julie Østergaard (DK)\, Katariin Raska & Christian Meaas Svendsen (EE/NO)\, Laure Boer (FR)\, Manca Dornik & Phoebe Bognár (SI/AU)\, NEKO3 (DK)\, Silvia Rosani & Esther Saladin (IT/CH)\, Heidi Hörsturz (NL)\, Andrius Arutiunian (LT) and XAIM (IL). \nRead more about EME here! \nThis GAS Talks is presented in collaboration with Fenoba.
URL:https://2025.gas-festival.com/event/gas-talks-eme-artist-presentations/
LOCATION:Göteborgs Dramatiska Teater\, Stigbergsliden 5B\, Göteborg\, 41362\, Sweden
CATEGORIES:2022,2022-19/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/GAS-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221018T190000
DTEND;TZID=Europe/Stockholm:20221018T194000
DTSTAMP:20260616T002751
CREATED:20220824T121744Z
LAST-MODIFIED:20220902T063638Z
UID:309743-1666119600-1666122000@2025.gas-festival.com
SUMMARY:Silvia Rosani & Esther Saladin [IT/CH]
DESCRIPTION:Through an interactive installation\, which uses feedback to activate the vibration of metal panels\, the audience members are encouraged to experiment with sound and to experience free improvisation with musicians and non-musicians. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nTickets:\nThis concert is free of charge! \nLinks:\nhttps://www.esthersaladin.com/ \nhttps://silviarosani.webs.com/
URL:https://2025.gas-festival.com/event/silvia-rosani-esther-saladin-it-ch/
LOCATION:Göteborgs Dramatiska Teater\, Stigbergsliden 5B\, Göteborg\, 41362\, Sweden
CATEGORIES:2022,2022-18/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning-2.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221018T180000
DTEND;TZID=Europe/Stockholm:20221018T184000
DTSTAMP:20260616T002751
CREATED:20220824T115820Z
LAST-MODIFIED:20220902T063700Z
UID:309736-1666116000-1666118400@2025.gas-festival.com
SUMMARY:Niels Lyhne Løkkegaard [DK]
DESCRIPTION:This being a driver in Løkkegaards work has led into compositions of music that can be performed by musicians as well as non-musicians – all revolving around the focus on how to create a safe environment for performing music\, and dissolve shame or trauma connected with a particular music instrument and the act of performing music in general. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nTickets:\nThis concert is free of charge! \nLinks:\nhttps://www.nielslyhne.com/about-1.html
URL:https://2025.gas-festival.com/event/niels-lyhne-lokkegaard-dk/
LOCATION:Gathenhielmska Huset\, Stigbergstorget 7\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-18/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning-1.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221018T140000
DTEND;TZID=Europe/Stockholm:20221018T150000
DTSTAMP:20260616T002751
CREATED:20220914T203346Z
LAST-MODIFIED:20221010T055443Z
UID:312400-1666101600-1666105200@2025.gas-festival.com
SUMMARY:GAS Talks - "ECOLOGIES OF LISTENING" with Pablo Sanz [ES]
DESCRIPTION:ECOLOGIES OF LISTENING\nPablo’s body of work includes site-determined and public art projects\, immersive installations\, multichannel live performances\, exhibitions\, releases\, and pieces for broadcast and headphone listening. At the EME showcase\, he will present a quadraphonic version of the work strange strangers. Based on recordings along river tributaries and flooded forests across in central Amazônia\, strange strangers invites us to listen to a singular world of vitality. \nThis GAS Talks is presented in collaboration with Högskolan för Scen och Musik. \nLinks: \nhttp://pablosanz.info
URL:https://2025.gas-festival.com/event/gas-talks-pablo-sanz-es/
LOCATION:Högskolan för Scen och Musik (HSM)\, Fågelsången 1\, Göteorg\, 412 55\, Sweden
CATEGORIES:2022,2022-18/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Pablo-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221017T190000
DTEND;TZID=Europe/Stockholm:20221017T200000
DTSTAMP:20260616T002751
CREATED:20220914T202828Z
LAST-MODIFIED:20220914T202858Z
UID:312394-1666033200-1666036800@2025.gas-festival.com
SUMMARY:Herman Müntzing [SE] presents MORF 1
DESCRIPTION:On October 16\, Herman will lead a workshop with the students of Kulturskolan Askim-Frölunda-Högsbo. The starting point for the workshops is his piece MORF1\, that will later be presented for the audience at Frölunda kulturhus. For the concert\, Herman will be joined on stage by six students from Högskolan för Scen och Musik and Kulturskolan Askim-Frölunda-Högsbo respectively\, saxophonist Jonny Wartel and pianist Karin Johansson as well as Peter Hogenäs\, teacher at Högskolan för Scen och Musik. \nAbout MORF 1 \nMORF 1 is a piece in which the course of events is defined by instructions written on \ncards. Each card presents instructions to follow and implement in a sonic action. The piece puts focus on improvisation and intuitive sonic communication\, on the balance between individuality and adaptation\, slow process of change\, and openness concerning content and shape. The piece offers a possibility of polyphonic\, intricate fabric of sounds with the instructions from the cards individually interpreted by the participants. The shape of the piece is totally connected to the unique mix of participants during the current event. MORF 1 refers to no specific genre and welcomes everyone with interest in intuitive and spontaneous sonic collaboration\, with a strive towards community and togetherness. \nSince the creation of the piece in 2005\, MORF 1 has been performed on numerous occasions\, and with very different ensembles. With professional musicians and with amateurs\, on prestigious festivals for experimental music as well as small jazz clubs\, art galleries\, private living rooms\, museums\, art- and music academies. \n  \nAbout Herman Müntzing \nHerman Müntzing is an experimental and improvising musician and composer from Baskemölla\, Sweden\, who prefers to treat and mistreat different kinds of acoustic and electric objects whenever and wherever it is appropriate. His musical world embraces sounds produced by “normal” musical instruments as well as short-circuit video-mixers\, children toys\, found objects and slowly rolling ping-pong balls. He is also the creator of 12 stringed experimental instrument “Flexichord” built out of strings and pickups from 2 electric guitars attached to a piece of massive wood. He performs concerts and workshops mainly in Europe\, due to a stubborn decision about never ever traveling by airplane. So he travels mostly by train\, performing solo and with groups\, with various musicians from the “improv-scene” and with people who don’t even consider themselves being musicians. \nThis concert is a collaboration with Brötz\, Högskolan för Scen och Musik and Kulturskolan Askim-Frölunda-Högsbo. \n  \nLinks:\nhttps://www.hermanmuntzing.com/index.html
URL:https://2025.gas-festival.com/event/herman-muntzing-se-presents-morf-1/
LOCATION:Frölunda kulturhus\, Valthornsgatan 13\, Göteborg\, 42146\, Sweden
CATEGORIES:2022,2022-17/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Herman-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221017
DTEND;VALUE=DATE:20221018
DTSTAMP:20260616T002751
CREATED:20220902T053534Z
LAST-MODIFIED:20220930T111956Z
UID:310719-1665964800-1666051199@2025.gas-festival.com
SUMMARY:GAS Talks – New Currents in Contemporary Organ Music
DESCRIPTION:Analysis of the influence of the internet\, computer algorithmic composition\, computer assisted music creation\, and contemporary popular culture. The organ has also gained a renewed interest among a new generation of sound composers creating minimalistic and sound color meditative music including Arkbro\, Davachi\, Fujiiiiiiiita\, Malone\, and Coverdale. The lecture recital is presented in dialogue with Hans-Ola Ericsson and followed by a discussion. \nAbout Hampus Lindwall \nHampus Lindwall is a musical artist active in many fields ranging from contemporary classical to experimental and electronic music. He is known as an organ performer of contemporary and 20th century music and as a creative improviser & composer. \nBorn (1976) in Stockholm\, Hampus Lindwall grew up playing the electric guitar in various rock\, metal & jazz bands. He started playing keyboards in his late teens and studied the organ at the Royal College of Music in Stockholm. He gives concerts throughout Europe\, in the U.S.A.\, Canada and China. \nAbout Hans-Ola Ericsson \nHans-Ola Ericsson was born in Stockholm in 1958. He is a renowned organist with hundreds of recitals and concerts behind him\, as well as an esteemed pedagogue at several institutions and a bold composer of contemporary music. \nKnown for his renditions of music as diverse as Olivier Messiaen and John Cage\, his interpretive range stretches between György Ligety and the ubiquitous Johann Sebastian Bach as well as many more. Among the crown jewels of the repertoire are the collected works of Messiaen and a recently finished series of Bach in chamber and organ settings. \n  \nThis GAS Talks is presented in collaboration with Göteborg International Organ Festival and Högskolan för Scen och Musik. \nLinks: \nhttp://www.hampuslindwall.com/ \nhttp://hansolaericsson.se/
URL:https://2025.gas-festival.com/event/gas-talks-new-currents-in-contemporary-organ-music/
LOCATION:Högskolan för Scen och Musik (HSM)\, Fågelsången 1\, Göteorg\, 412 55\, Sweden
CATEGORIES:2022,2022-17/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/HansHannes-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
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