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X-WR-CALNAME:Göteborg Art Sounds Festival 2024
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DTSTART;TZID=Europe/Stockholm:20241026T193000
DTEND;TZID=Europe/Stockholm:20241026T235900
DTSTAMP:20260615T215021
CREATED:20241003T184230Z
LAST-MODIFIED:20241003T184459Z
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SUMMARY:Vida Vojić + Bohuslän Big Bang
DESCRIPTION:In this 35 minute drum/voice solo by Vida Vojić\, inspired by celestial gods – the Gnostic poem “The Thunder\, Perfect Mind” (2nd-4th century AD) is recited as well as buttery pop music and Swedish folk songs. By exploring numerology\, sacred patterns\, chaos / order – the aim is to trigger physical vibrations\, thus inducing a hypnotic state in the audience. Sprung from the desire to tell an alternative story\, which ultimately may not be heard on top of the surrounding chaos – but rather felt. \nWarning: High volume \nVida Vojić is a music artist\, performance artist and poet from Gothenburg. Her current work focuses on drumming as a means of amplifying impressions\, triggering physical vibrations and awakening alternative states. In combination with this\, her vocal\, scenographic and poetic expression is a constant exploration in theology\, decolonialism\, posthumanism\, alternative conceptions of time and the nature of change. \nIn addition\, the local music collective Bohuslän Big Bang will play new music for instruments built from scrap and found gadgets. BBB the music collective is a creative and educational platform with a focus on group improvisation\, art music\, performative sound art\, graphic scores\, methods and concepts which\, since its inception in 2021\, has fascinated and seduced festival audiences at Luftslottet in Götene\, Bruset in Arvika and Kontinent Dalsland/Bruk in Dals Långed among others. \nLinks: \nhttps://www.gerlesborgskulturhus.se/activities/mhNsyGrMruF6ZoLE2/info \nThe concert is arranged by Gerlesborgsskolan in collaboration with Göteborg Art Sounds.
URL:https://2025.gas-festival.com/event/vida-vojic-bohuslan-big-bang/
LOCATION:Gerlesborgsskolan\, Gerlesborg 1\, Hamburgsund\, 457 48\, Sweden
CATEGORIES:2024,2024-26/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/10/Vida.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241025T180000
DTEND;TZID=Europe/Stockholm:20241025T200000
DTSTAMP:20260615T215021
CREATED:20240821T134419Z
LAST-MODIFIED:20240822T105041Z
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SUMMARY:Masters of East and West
DESCRIPTION:With music that is deeply linked to the world of cinema\, Chinese Tan Dun is one of the world’s most played and popular composers. The music he composed for the film Hero (2002) reached millions of people all over the world. His music for the film Crouching Tiger\, Hidden Dragon (2000) won an Academy Award for Best Original Score. His evocative double bass concerto is performed by the Gothenburg Symphony’s Markus Lang as soloist\, giving voice to the soft and rhythmic expressions conveyed by the king of string instruments. \nAustrian Hans Rott’s symphony is grand and marvellously beautiful. Listeners will easily be floored by the powerful introduction. As a composer\, Rott never got to fulfill his career: he died of tuberculosis at the age of 25. But his music truly deserves a large audience. The orchestra is led by chief conductor Santtu-Matias Rouvali. \n  \nMasters of East and West is a concert by Göteborgs Konserthus in collaboration with Göteborg Art Sounds.  \n 
URL:https://2025.gas-festival.com/event/masters-of-east-and-west-2/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2024,2024-25/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/GSAB.jpeg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241024T193000
DTEND;TZID=Europe/Stockholm:20241024T213000
DTSTAMP:20260615T215021
CREATED:20240821T134136Z
LAST-MODIFIED:20240822T105030Z
UID:366891-1729798200-1729805400@2025.gas-festival.com
SUMMARY:Masters of East and West
DESCRIPTION:With music that is deeply linked to the world of cinema\, Chinese Tan Dun is one of the world’s most played and popular composers. The music he composed for the film Hero (2002) reached millions of people all over the world. His music for the film Crouching Tiger\, Hidden Dragon (2000) won an Academy Award for Best Original Score. His evocative double bass concerto is performed by the Gothenburg Symphony’s Markus Lang as soloist\, giving voice to the soft and rhythmic expressions conveyed by the king of string instruments. \nAustrian Hans Rott’s symphony is grand and marvellously beautiful. Listeners will easily be floored by the powerful introduction. As a composer\, Rott never got to fulfill his career: he died of tuberculosis at the age of 25. But his music truly deserves a large audience. The orchestra is led by chief conductor Santtu-Matias Rouvali. \n  \nMasters of East and West is a concert by Göteborgs Konserthus in collaboration with Göteborg Art Sounds.  \n 
URL:https://2025.gas-festival.com/event/masters-of-east-and-west/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2024,2024-24/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/GSAB.jpeg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241021T190000
DTEND;TZID=Europe/Stockholm:20241021T200000
DTSTAMP:20260615T215021
CREATED:20241003T183737Z
LAST-MODIFIED:20241003T184005Z
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SUMMARY:Athina Kontou & Mother [GR/DE]
DESCRIPTION:The traditional songs evolve with contemporary soundscapes and the music that emerges speaks intuitively to the audience from a very personal point of view. The core of her work is the search for the connecting elements in different cultures\, as she herself is a boundary-crosser between the different musical cultures. \nWith her three fellow musicians Luise Volkmann saxophone\, Dominik Mahnig drums and Lucas Leidinger piano she forms a colorful and lively sound. Their debut “Tzivaeri” was released in 2022 and nominated for the German Critics Award. \nThe concert is part of the Vänersborg’s Culture Week and arranged by Vänersborgs Musikförening and Knutpunkt in collaboration with Göteborg Art Sounds.
URL:https://2025.gas-festival.com/event/athina-kontou-mother-gr-de/
LOCATION:Folkets Hus Vänersborg\, Kungsgatan 15\, Vänersborg\, 462 33\, Sweden
CATEGORIES:2024,2024-21/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/10/Athina.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241020T193000
DTEND;TZID=Europe/Stockholm:20241020T203000
DTSTAMP:20260615T215021
CREATED:20240821T133208Z
LAST-MODIFIED:20240824T101115Z
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SUMMARY:Gageego! — music by Klaus Lang and Lisa Streich [AU-SE]
DESCRIPTION:Programme:\nLisa Streich (b. 1985) \nSeraph \nJohan Stern\, cello \nHans Davidsson\, organ \n  \nKlaus Lang (b. 1971) \nkaihougyou \nKlaus Lang\, organ \nAnders Jonhäll\, flute \nRagnar Arnberg\, clarinet \nJonas Larsson\, percussion \nKlara Hellgren\, violin \nManon Briau\, viola \nJohan Stern\, cello \nMark Tatlow\, conductor \n  \nTickets can also be purchased at the door! \n  \nA concert by Gageego! and Göteborg International Organ Festival in collaboration with Göteborg Art Sounds. 
URL:https://2025.gas-festival.com/event/gageego-music-by-klaus-lang-and-lisa-streich-au-se/
LOCATION:Hagakyrkan\, Haga Östergata 30\, Göteborg\, 41122\, Sweden
CATEGORIES:2024,2024-20/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Gageego2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241019T203000
DTEND;TZID=Europe/Stockholm:20241019T220000
DTSTAMP:20260615T215021
CREATED:20240821T130138Z
LAST-MODIFIED:20240905T155323Z
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SUMMARY:Terese Lien Evenstad Quintet [SE]
DESCRIPTION:Renowned for their innovative blend of clarinet and violin\, TLEQ has released three albums with modern jazz\, including their latest\, Movement\, on the German label Berthold Records. This album received widespread acclaim\, with Orkesterjournalen praising it as “a special and unique album” (2023)\, and Opulens Magazine describing it as “a primal force with improvisational freedom” (2023). The album was also noted for its “vital and dense modern Nordic Jazz of high quality\, with a distinct and appealing group sound” by Sydsvenskan (2023). \nThe success of Movement earned TLEQ a nomination for Sweden’s largest independent music award ”Manifestgalan” in the ”Jazz of the Year” category for 2024. TLEQ’s distinctive sound has taken them on tours across Germany\, India\, Norway\, and Sweden\, with performances at prestigious venues such as the Stockholm Jazz Festival (Sweden)\, Victoria National Jazz Scene in Oslo (Norway)\, B-flat Jazz Club in Berlin (Germany) and Leela Palace in Bangalore (India). \nListening to TLEQ is like walking through a vast landscape—one moment you’re swept up in the wild winds of energy\, the next you’re standing still\, captivated by a single\, fragile note that resonates like a whispered secret. At the heart of TLEQ’s music is the fearless creativity and compositions of Terese Lien Evenstad and Alexander Ivarsson\, who blend traditional jazz with modern influences to create a fresh\, authentic sound. \n \nIn recognition of her work with TLEQ\, Terese Lien Evenstad was awarded a scholarship from Västra Götalandsregionen in 2024\, with the motivation: ”When Terese Lien Evenstad’s violin playfully navigates the chord progressions of the jazz tradition\, it might catch us off guard—improvised violin is rare in the genre. Yet\, her skill and fearless musicality have earned her national recognition. Whether performing with others or leading her own quintet\, her sound is not just fresh and exciting; it’s downright addictive.” \n \nTogether with pianist Fabian Kallerdahl\, bassist Arvid Jullander\, drummer Johan Birgenius\, and clarinetist Alexander Ivarsson\, Terese Lien Evenstad forms a band that touches the listener with expressive violin jazz as a signature. \n \nA concert by Utopia in collaboration with Göteborg Art Sounds. This is also the concert marking the end of the “main days” of Göteborg Art Sounds. Come hang out!“ \nLinks: \nhttps://tereselienevenstad.com/
URL:https://2025.gas-festival.com/event/terese-lien-evenstad-quintet-se/
LOCATION:Utopia\, KARL JOHANSGATAN 6\, Göteborg\, Sweden
CATEGORIES:2024,2024-19/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-Terese.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241019T191000
DTEND;TZID=Europe/Stockholm:20241019T200000
DTSTAMP:20260615T215021
CREATED:20240821T060512Z
LAST-MODIFIED:20241004T054951Z
UID:366717-1729365000-1729368000@2025.gas-festival.com
SUMMARY:Ann Rosén [SE]
DESCRIPTION:Since her MFA in 1988 at Konstfack\, Ann Rosén has worked professionally as an artist. Early in her career\, she became interested in using sound as material\, and since the 1990s her artistic focus has been on sound art and music.\nAnn Rosén’s works have been exhibited or performed at venues ranging from the Royal Swedish Opera to clubs in Berlin. Rosén’s oeuvre includes social sculptures\, choreographic works\, spatial representations\, sound art\, choral works\, sound installations\, video\, sculpted silence\, performance\, and art music. In her artistic process\, she explores interpersonal relationships and our relationships with the world around us. Her art can easiest be described as the consequence of an action. \nIn her ongoing project “Drawing Session” Ann Rosén has created a series of works where pencil drawings are the instrument itself. The lines turn into sound when drawn live. In her “Candela”\, tea lights are used to create the music.\nAnn Rosén’s latest works are the graphic and video scores; “Between” composed for the ensemble Kwartludium (PL)\, “Recycling the Work Process” and “Livstycke” composed for electronics and instruments by choice. Performed by Sofia Jernberg\, Anna Lindal violin\, Linn Persson saxophone and Lise-Lotte Norelius electronics.\nShe currently runs the international ensemble The Barrier Orchestra. Previously\, she had the trio Syntjuntan\, who played on sewn textile synthesizers. \nBeside her own artistic work\, she runs the scene Schhh Vardagsrummet in the Swedish countryside together with Sten-Olof Hellström\, as well as the record company Schhh Records\, publishing company Schhh Publishing and the Schhh Artist Residency. \n  \nLinks:\nhttps://annrosen.se/\nhttps://schhh.se/ \n  \nNote: All guests must be 20 years or older and have a valid ID \nAnn Rosén shares the venue and night with Ryoko Akama. Two concerts in one place\, for one ticket! \n 
URL:https://2025.gas-festival.com/event/ann-rosen-se/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2024,2024-19/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-Ann-Rosen.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241018T190000
DTEND;TZID=Europe/Stockholm:20241018T200000
DTSTAMP:20260615T215021
CREATED:20240821T124518Z
LAST-MODIFIED:20241016T193431Z
UID:366857-1729278000-1729281600@2025.gas-festival.com
SUMMARY:DU YUN [US] & GAZE [SE] - World Premiere!
DESCRIPTION:Du Yun works at the intersection of opera\, cabaret\, electronics\, noise and more. Her opera\, Angel’s Bone won the 2017 Pulitzer Prize and in 2018 she was named a Guggenheim Fellow. Du Yun is currently Professor of Composition at the Peabody Institute at Johns Hopkins University\, and distinguished visiting professor at the Shanghai Conservatory of Music. As a curator\, she was the Artistic Director of MATA Festival 2014-2018\, conceived the Pan Asia Sounding Festival and founded a FutureTradition Initiative in China where she works with folk musicians from around the world. \nNina de Heney is one of the most influential musicians on the improvisation scene in Sweden. A position she cemented for a wider audience when she received the Jazz Musician of the Year Award during the Swedish Jazz celebration. Her solo records have been unanimously praised in the press. She is originally from Switzerland and has studied in the US for Miroslav Vitous at The New England Conservatory of Music. \nMy Hellgren works as a cellist in many different contexts. She is most active in contemporary art music and is a member of Curious chamber players\, GAHLMM and Duo Diabas. My likes to collaborate with composers\, but is also interested in what can happen outside the world of sheet music and has explored this in various ways. \nLisen Rylander Löve is a Gothenburg-based saxophonist Lisen Rylander Löve internationally active in jazz\, improvisation and experimental music. She is active in several constellations\, including Here’s To Us\, Kärnfamiljen and The Splendor. For the past five years\, she has also been running the solo project OCEANS where\, in addition to sax\, she uses voice and live electronics. \nJonas Larsson helped start the new music group Gageego! almost 30 years ago. He has since played percussion instruments in the group’s various projects and concerts\, both in Sweden and abroad. In addition to contemporary chamber music and solo music\, he works as a freelance musician with opera and symphony orchestras. \nMartin Öhman combines acoustic drumming with electronic elements in a synergy that makes him a sought-after musician in jazz and experimental music. He plays everyday with\, among others\, Klabbes Bank\, Thomas Backman and Lisen Rylander Löve OCEANS. \nLinks:  \nwww.channelduyun.com \nhttps://www.ninadeheney.com/ \nhttp://myhellgren.com \ngageego.se \nDoors open 18.45 \nChildren and Young Adults under 18 years are welcome for free! Please still reserve your ticket through the ticket link\, as seating is limited.
URL:https://2025.gas-festival.com/event/du-yun-us-gaze-se-world-premiere/
LOCATION:Kronhuset\, Postgatan 6-8\, Göteborg\, Västra götaland\, 411 13\, Sweden
CATEGORIES:2024,2024-18/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/GAZE2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241018T180000
DTEND;TZID=Europe/Stockholm:20241018T190000
DTSTAMP:20260615T215021
CREATED:20240821T125222Z
LAST-MODIFIED:20241004T055027Z
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SUMMARY:RYOKO AKAMA [JP/UK]
DESCRIPTION:Ryoko Akama resides in Huddersfield\, UK. Her works sculpt domestic appliances and scrap wastes with invisible energy\, especially interested in heat\, magnetism and gravity\, into kinetic contraptions. Her site-specific works infuse both aural / visual occurrence as one entity\, creating ephemeral situations that magnify undefinable relationships between noise and silence\, time and space. Her recent artistic practice examines architectural awareness\, immigration ecology and conflict\, cultural fluidity\, relativity of livings. \nShe is an artistic director for ame c.i.c.\, supporting DIY culture and underground art/music scene. She also co-runs the independent publisher mumei publishing. \nFor Göteborg Art Sounds 2024 she is performing ‘untold nostalgia’. This is a new solo performance piece coming out of the project she pursued over the summer 2024\, un(an)kN-O-wn. Scattering around field recordings and noises via various amplifiers in a space\, the work investigates how fact\, experience and memory are complicatedly intertwined and remembered. \nOther selected installations include: in.visible (The Art House\, 2023\, UK)\, divulgence (Donaueschinger Musiktage\, 2023\, Germany)\, not a matter but it really matters (Lo Pati\, 2022\, Spain)\, inefficient ways to comprehend the matter (Exhoraum\, 2022\, Austria)\, the way they are (Yorkshire Sculpture Park\, 2019\, UK)\, composition of happiness (Spanien19C\, 2019\, Denmark)\, kosetsu (Stedelijk Museum\, 2019\, Amsterdam)\, ploughs and harrows (Konfrontation Festival\, 2018\, Austria)\, listening with the city (Internationales Musikinstitut Darmstadt\, 2018\, Germany)\, odds and ends (Bunkier Sztuki Gallery\, 2018\, Poland)\, loiner or (Industrial Museum of Leeds\, 2018\, UK)\, Object Migration (Avant Art Festival + Sanatorium Dź wię ku\, 2017\, Poland) and 1→ 5 (Uppsala Art Museum\, 2016\, Sweden). \n  \nLinks: \nryokoakama.com \n  \nNote: All guests must be 20 years or older and have a valid ID \nRyoko Akama shares the venue and night with Ann Rosén. Two concerts in one place\, for one ticket!  \n  \n 
URL:https://2025.gas-festival.com/event/ryoko-akama-jp-uk/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2024,2024-19/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-Ryoko.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241018T100000
DTEND;TZID=Europe/Stockholm:20241018T120000
DTSTAMP:20260615T215021
CREATED:20240822T182205Z
LAST-MODIFIED:20240823T111248Z
UID:367108-1729245600-1729252800@2025.gas-festival.com
SUMMARY:Network meet-up for Artists
DESCRIPTION:The meet-up is a unique opportunity for the new Artistic Directors Stefan Klaverdal (SE) and Clara de Asís (ES/ NL) to meet local artists while they are in Gothenburg! There might also be a chance to meet artists who are performing in Göteborg Art Sounds 2024. \nThe idea behind the meet-up is to create an informal space for artists to meet up\, make new contacts\, talk about possible collaborations and ideas\, or simply to swing by and sit down for a chat in Utopia’s cosy environment with some light breakfast. We are very much looking forward to meeting you all! \n  \nThe meet-up has a maximum limit of 30 people\, so please sign up to secure your place! 
URL:https://2025.gas-festival.com/event/network-meet-up-for-artists/
LOCATION:Utopia\, KARL JOHANSGATAN 6\, Göteborg\, Sweden
CATEGORIES:2024,2024-18/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Artist2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241017T210000
DTEND;TZID=Europe/Stockholm:20241017T214000
DTSTAMP:20260615T215021
CREATED:20240822T063037Z
LAST-MODIFIED:20241004T054521Z
UID:366939-1729198800-1729201200@2025.gas-festival.com
SUMMARY:Taavi Kerikmäe and Anna-Liisa Eller [EST]
DESCRIPTION:After graduating from the master’s programme of the Estonian Academy of Music and Theatre in classical piano\, Taavi Kerikmäe studied contemporary music at the Conservatoire National Supérieure de Lyon. He is currently working in the field of contemporary music\, free improvisation and experimental music as a performer and composer and teaches contemporary music\, experimental music and free improvisation at the Estonian Academy of Music. Kerikmäe has performed at numerous contemporary music festivals in Europe\, USA\, South America\, South Korea\, Greenland\, and Thailand. In concert\, Taavi performs on the piano\, theremin\, keyboards and custom-made electronic instruments. He has worked with composers such as Pierre Boulez\, Tristan Murail\, Vinko Globokar\, Kaija Saariaho\, François-Bernard Mâche\, Alessandro Solbiatti\, Louis Andriessen\, Helena Tulve and many others. \nAnna-Liisa Eller is an Estonian kannel player and teacher. Her main focus is on early music and contemporary music creation. She likes to experiment and broaden the possibilities of Estonian chromatic kannel. This hardly known exotic instrument with surprisingly wide possibilities has been described by different listeners as a sound from heaven. At the moment she continues her Doctoral Studies in Estonian Academy of Music and Theatre and since 2024 she is a pedagogue of EAMT. Anna-Liisa works in close cooperation with several early music ensembles\, such as Supersonus\, The Bright Future Ensemble\, Vox Clamantis\, Floridante etc. In 2021 Anna-Liisa’s solo CD Strings Attached: The Voice of Kannel was released under Harmonia Mundi. It has received a lot of positive feedback from international music press and was awarded the prize of “Estonian classical music album of the year 2021” and annual prize by Estonian Culture Endowment in 2021. \n  \nNote: All guests must be 20 years or older and have a valid ID \nThe performance is part of the concept New Baltic Sounds! Three concerts from Estonia\, Latvia and Lithuania in one venue\, for one night and one ticket. Welcome!  \nThe concert is arranged in collaboration with the Baltic Contemporary Music Network with support from the Estonian Ministry of Culture and the Estonian Embassy. 
URL:https://2025.gas-festival.com/event/taavi-kerikmae-and-anna-liisa-eller-est/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2024,2024-17/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/est1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241017T200000
DTEND;TZID=Europe/Stockholm:20241017T204000
DTSTAMP:20260615T215021
CREATED:20240821T123149Z
LAST-MODIFIED:20241016T191148Z
UID:366850-1729195200-1729197600@2025.gas-festival.com
SUMMARY:Twenty Fingers Duo  [LT]
DESCRIPTION:The contemporary music ensemble was founded in Vilnius in 2016\, by sister and brother violinist Lora Kmieliauskaitė and cellist Arnas Kmieliauskas. Twenty Fingers Duo actively participate in and initiate contemporary art projects\, with a strong focus on collaboration with artists from other fields. The main task of the ensemble’s musical activity is to foster and promote Lithuanian music\, while the gamut of their activities ranges from standard concert appearances and interdisciplinary performances to collaborations in contemporary opera\, theatre\, dance\, and film productions. \nThe music they perform emerges at the intersection of extended playing techniques and graphic scores.  In its live performances\, Twenty Fingers Duo places great emphasis on the stage setup and the mingling between light and darkness. In 2020\, they released their debut album Performa. In the recent years\, they have released two more albums – Dualitas and Two Sides: West/East – and an interdisciplinary stage work Orpheus\, Eurydice\, which was nominated in four categories of the Performing Arts Awards ‘Golden Crosses’ and won the award for the best interdisciplinary work of the year in the Lithuanian Composers’ Competition (both in 2023). \nProgramme:  \n\nDominykas Digimas (LT\, 1993)  “East” (2023 / 11 min. / vn-vc-tape)\nhttps://www.youtube.com/watch?v=4BOtSeXEeeM\nhttps://open.spotify.com/track/26DReN5rWplCqOOxqfOqu1?si=f41a131360514eec\nRūta Vitkauskaitė (LT\, 1984) “Hightet” (2019 / 6 min. / vn-vc)\nhttps://open.spotify.com/track/6hAhNj9GDuNqM7OMtIjn70?si=e6557e502f09431d\nArturas Bumšteinas (LT\, 1982) “DNA canon ” PREMIERE (2024\, ~10-15 min. / vn-vc)\nKristupas Bubnelis (LT\, 1995) “…please leave your message after the tone…” (2020 / 17 min. / vn-vc-tape)\nhttps://www.youtube.com/watch?v=tLrbmB7fY4c\nhttps://open.spotify.com/track/792XecNr8AE953EWI2zkQY\n\n\nLinks: \nWeb: twentyfingersduo.com \nFB: https://www.facebook.com/twentyfingersduo \nIG: https://www.instagram.com/20fingersduo/ \nSpotify: https://open.spotify.com/artist/2fOI6MzVFTERLxs1LeU85s?si=NWCy1gmaT3236Wpic-3dYA \nYoutube: https://www.youtube.com/channel/UCWqCVysqrCI4_R5EvV-TDoQ / https://youtu.be/FNBGJiQOCAY?feature=shared \n  \nNote: All guests must be 20 years or older and have a valid ID \nThe performance is part of the concept New Baltic Sounds! Three concerts from Estonia\, Latvia and Lithuania in one venue\, for one night and one ticket. Welcome!  \nThe concert is arranged in collaboration with the Baltic Contemporary Music Network and the Lithuanian cultural attache in Sweden\, Finland and Denmark\, supported by the Lithuanian Culture Institute.
URL:https://2025.gas-festival.com/event/twenty-fingers-duo-lt/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2024,2024-17/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-NBS-2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241017T190000
DTEND;TZID=Europe/Stockholm:20241017T194000
DTSTAMP:20260615T215021
CREATED:20240821T122336Z
LAST-MODIFIED:20241010T083059Z
UID:366838-1729191600-1729194000@2025.gas-festival.com
SUMMARY:IEVA SALIETE & ARTURS NOVIKS [LV]
DESCRIPTION:Ieva Saliete is the leading Latvian harpsichordist. She has a wide range of musical interests\, starting from the late medieval era with the clavicymbalum\, through baroque\, to contemporary music. Musically educated at Staatliche Musikhochschule Freiburg by Prof. Dr. R.Hill and Schola Cantorum Basel by J.A.Boetticher\, she has played in various Early Music formations\, such as Freiburger Barockorchester\, Ensemble 415 and with numerous chamber-music partners such as Sergio Azzolini\, Dorothee Oberlinger\, Erik Bosgraaf\, Dmitry Sinkovsky\, Marco Ambrosini. \nSince she has a strong interest in contemporary music she regularly commissions compositions by latvian composers and is bringing harpsichord in the middle of the Latvian contemporary music stage. For her musical activity she was honored with the Great Music award of Latvia in 2018 and also nominated for the same award for outstanding performances in 2023. Ieva Saliete teaches harpsichord and is Head of the Early Music department at the Latvian Academy of Music. \nArturs Noviks is a wide-ranging accordionist in versatile musical directions who has participated in a great number of international competitions and festivals. He has performed in various projects with Latvian National Symphony Orchestra\, LNSO String Quintet\, Sinfonietta Riga\, Latvian Radio Choir\, choir “Kamēr…”\, Brass Band “Riga”. He is a member of the ensemble Altera Veritas and Tango Sin Quinto and has collaborated with many other popular stage artists in Latvia. Since 2014 here is a lecturer of Jāzeps Vītols Latvian Academy of Music. Since 2016 he is an accordion teacher at Jāzeps Mediņš Riga 1st Music School. \nAt Oceanen Saliete and Noviks will perform: \n\nJuste Janulyte ‘Harp is a Chord” (2016)\nIndra Riše “Purva dvēselītes/ Marsh-Souls” (1999)\nSabine Ķezbere – “Ny tid. Stillhet” (New time. Silence) World Premiere!\nJānis Petraškevics “ Neparalēles/Non -parallels” (2022)\n\n  \nNote: All guests must be 20 years or older and have a valid ID \nThe performance is part of the concept New Baltic Sounds! Three concerts from Estonia\, Latvia and Lithuania in one venue\, for one night and one ticket. Welcome! \nThe concert is arranged in collaboration with the Baltic Contemporary Music Network
URL:https://2025.gas-festival.com/event/ieva-saliete-arturs-noviks-lv/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2024,2024-17/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-NBS.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241017T130000
DTEND;TZID=Europe/Stockholm:20241017T150000
DTSTAMP:20260615T215021
CREATED:20240822T182017Z
LAST-MODIFIED:20240823T111028Z
UID:367103-1729170000-1729177200@2025.gas-festival.com
SUMMARY:Network meet-up for Music Organizers
DESCRIPTION:The meet-up is a unique opportunity for the new Artistic Directors Stefan Klaverdal (SE) and Clara de Asís (ES/ NL) to meet local organizers and organizations while they are in Gothenburg! The meet-up will also be attended by the visiting Baltic Contemporary Music Network\, with representatives from Estonia\, Latvia and Lithuania. \nThe idea behind the meet-up is to create an informal space for music organizers and organizations to make new national and international contacts\, to talk about possible collaborations and ideas\, or simply to swing by and sit down for a chat in Utopia’s cosy environment with a free drink and some delicious snacks. We are very much looking forward to meeting you all! \nOnce the network meet-up is over\, New Baltic Sounds starts next door at Oceanen 18.00\, where three duos from Estonia\, Latvia and Lithuania curated by the Baltic Contemporary Music Network will play. Very welcome! \n  \nThe meet-up has a maximum limit of 30 people\, so please sign up to secure your place! 
URL:https://2025.gas-festival.com/event/network-meet-up-for-music-organizers/
LOCATION:Utopia\, KARL JOHANSGATAN 6\, Göteborg\, Sweden
CATEGORIES:2024,2024-17/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Network2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241016T193000
DTEND;TZID=Europe/Stockholm:20241016T213000
DTSTAMP:20260615T215021
CREATED:20240821T121058Z
LAST-MODIFIED:20240905T153231Z
UID:366820-1729107000-1729114200@2025.gas-festival.com
SUMMARY:BrÖtz no. 907 — Ericson Klapper Fite + Perkis Raskin Sandell
DESCRIPTION:Ericson Klapper Fite: \nSture Ericson – saxophones\nMartin Klapper – amplified objects\, electronics\nNiklas FIte – guitar\, banjo \nMartin Klapper was already on the field in the 90s when he participated in the legendary Company Weeks organized by Derek Bailey. Among his many collaborations\, the duo with Roger Turner stands out as one of the most important – “Resourceful\, these fellows – aren’t they”\, as the same Bailey said of them with a typical British understatement. \nNiklas Fite is the newest acquaintance on the scene\, and those who haven’t had the pleasure of hearing his way of tuning his vintage Epiphone guitar from the 40s can only rejoice. Fite is already well versed and has\, among other things\, played with Sven-Åke Johansson\, Tristan Honsinger\, Roger Turner and Isak Hedtjärn. \nSture Ericson is a well-known voice both in Copenhagen and internationally\, for example in groups such as The Electrics (with Axel Dörner\, Joe Williamson and Raymond Strid) and the new Bagman (with Pat Thomas and Raymond Strid) he coaxes both known and unknown sounds out of his saxophones. \n::::::::::::::::::::::::::::: \nPerkis Raskin Sandell: \nTim Perkis – electronics\nJon Raskin – saxophone\nSten Sandell – piano \nTim Perkis is a renowned electronic musician from the USA now living in Gothenburg who has invited his good friend Jon Raskin from San Francisco. \nRaskin is known\, among other things\, for his many years of work with the world-famous saxophone quartet Rova from California. \nSten Sandell\, one of Sweden’s most internationally known free improv musicians\, is coming down from Stockholm for this exclusive meeting/concert! \n  \nTicket information: \nTickets: 120 SEK\, swish or cash at the door. Music students are welcome for free!  \n  \nThe concert is presented by BrÖtz in collaboration with Göteborg Art Sounds. 
URL:https://2025.gas-festival.com/event/brotz-no-907-ericson-klapper-fite-perkis-raskin-sandell/
LOCATION:BrÖtz – Konstepidemin\, Paviljong 8\, Carl-Erik Hammaréns Backe\, Göteborg\, 41314\, Sweden
CATEGORIES:2024,2024-16/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Brotz2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241016T173000
DTEND;TZID=Europe/Stockholm:20241016T192000
DTSTAMP:20260615T215021
CREATED:20240821T114051Z
LAST-MODIFIED:20241004T054253Z
UID:366800-1729099800-1729106400@2025.gas-festival.com
SUMMARY:OPENING OF GÖTEBORG ART SOUNDS 2024!
DESCRIPTION:Although the festival will have started with some great collaboration concerts already the week before\, we wanted to take this opportunity to create a gathering for everybody interested in contemporary\, electronic\, experimental and improvised music \nThe Opening of Göteborg Art Sounds will be a unique chance to meet the festival’s new artistic directors: Stefan Klaverdal [SE] and Clara de Asís [ES/ NL]! There will be concerts with amazing Per Herman Jonsson och Dexter Diestro Esporlas from the Academy of Music! \nThere will be speeches\, mingle\, music\, snacks and drinks! \nThe theme of Göteborg Art Sounds 2024 is “REFLECTIONS” and we invite you to celebrate and reflect about new music with us! The restaurant Husette next door will also be open for anybody who wants something to eat. At 19.30 we are moving over to Paviljong 8 to take part in BrÖtz’s concert\, arranged in collaboration with Göteborg Art Sounds. \n  \nOpening schedule: \n17.30 – Doors open \n18.00 – 18.15 Artistic Directors Welcome Speech \n18.15 – 18.45 – Concert with Per Herman Jonsson & Dexter Diestro Esporlas \n18.45 – 19.20 – Mingle \n  \nAbout the concert with Per Herman Jonsson & Dexter Diestro Esporlas \nBenny and Andersson perform “Benny & Ivory” in an acoustic recording of “Benny & Ivory”. \nText\, music and melody imagined by Benny and Andersson – a trio\, partly founded on January 14\, 1956\, consisting of Benny and Andersson. \nEarplugs or other hearing protection is recommended\, and will be available on site for the concert.  \n  \nTicket information: \nThere is a maximum of 60 people allowed in Gröna rummet. So if you want to secure your place at the Opening – sign up through the link above! \nThe Opening of GAS 2024  is made in collaboration with the Academy och Music and Drama  \n  \nVery\, very welcome!
URL:https://2025.gas-festival.com/event/opening-of-goteborg-art-sounds-2024/
LOCATION:Konstepidemin – Gröna rummet\, Konstepidemins väg 6\, Göteborg\, 41314\, Sweden
CATEGORIES:2024,2024-16/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Opening2.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241016T120000
DTEND;TZID=Europe/Stockholm:20241016T130000
DTSTAMP:20260615T215021
CREATED:20240821T113140Z
LAST-MODIFIED:20240905T153033Z
UID:366792-1729080000-1729083600@2025.gas-festival.com
SUMMARY:Lunch concert — Linnéa Talp [SE]
DESCRIPTION:(Afterwards organ soup in the parish hall) \nTheme: JOURNEYS\nArch of motion \nto whom\nit is the absence\n(space is wide) \narch of motion\nweaving\, sounding\n(I am moving) \ngoing nowhere\nthere is no intention\n(I am lifting my head) \nmending\nis light pressure\n(when you lay your hands on me) \nconversation\nis the shelter\n(there is tension) \ninhale\nthe void\n(I am expanding) \nexhale\nto sense light\n(I am going nowhere) \nthe continuation\nis no separation\n(it is The heart) \nLinnéa Talp\, text \nThis is a concert by Göteborg International Organ Festival in collaboration with Göteborg Art Sounds.
URL:https://2025.gas-festival.com/event/olivier-messiaen-livre-du-saint-sacrement-se-2/
LOCATION:Hagakyrkan\, Haga Östergata 30\, Göteborg\, 41122\, Sweden
CATEGORIES:2024,2024-16/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Lunch2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241014T180000
DTEND;TZID=Europe/Stockholm:20241014T200000
DTSTAMP:20260615T215021
CREATED:20241003T183003Z
LAST-MODIFIED:20241003T183054Z
UID:369244-1728928800-1728936000@2025.gas-festival.com
SUMMARY:Simon Rose (UK/DE)
DESCRIPTION:He performs regularly as a soloist and in numerous collaborations in Europe and North America. Additionally\, he frequently performs in interdisciplinary settings with dancers\, visual artists and others. He holds a PhD from Glasgow Caledonian University and has authored two books: ‘The lived experience of improvisation: in music\, learning and life’ (Intellect/Chicago 2017) and ‘Relational Improvisation: Music\, Dance and Contemporary Art’ (Routledge 2024). \n‘Procession’ is one of the finest statements from the saxophone I have ever had the pleasure to experience.’\nMarc Medwin\, CADENCE. \n‘Rose gifted the audience with a beautiful performance\, full of nuances\, circular breathing and something like a theatrical attitude\, but very near the essence and far from rhetoric.’ \nGian Paolo Galasi http://londonresonance.blogspot.com/ \nLinks: \nhttps://www.simonrose.org/ \nThe concert is arranged by Högskolan för Scen och Musik in collaboration with Göteborg Art Sounds. 
URL:https://2025.gas-festival.com/event/simon-rose-uk-de/
LOCATION:Högskolan för scen och musik\, Hörsalen – 2150\, Eklandagatan 86\, Göteborg\, Sweden
CATEGORIES:2024,2024-14/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/10/Simon-Rose.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241013T150000
DTEND;TZID=Europe/Stockholm:20241013T170000
DTSTAMP:20260615T215021
CREATED:20240821T110904Z
LAST-MODIFIED:20240822T103800Z
UID:366781-1728831600-1728838800@2025.gas-festival.com
SUMMARY:Olivier Messiaen — Livre du Saint Sacrement [SE]
DESCRIPTION:Hear the masterpiece that was ultimately French composer Olivier Messiaen’s last major composition. The wide-ranging Livre du Saint-Sacrement is designed according to Catholic mysticism and a meditation on the mysteries of the Eucharist. This concert is an opportunity to find a sense of peace and truly allow the music to surround you. \nOlivier Messiaen is among the most important composers of twentieth-century classical music. He celebrated love and the light aspects of Christianity. His unique style comes from a powerful faith in God as well as a fascination with birdsong\, which is often evident in his music. Balinese rhythms were another source of inspiration. \nHans-Ola Ericsson is an organist with international credentials. He recorded the collected organ works of Olivier Messiaen in close collaboration with the composer himself before Messiaen passed away in 1992. \nI. Adoro te (I adore Thee\, O hidden Deity!/Jag tillber dig) \nII. La Source de Vie (The Source of Life/Livets källa) \nIII. Le Dieu caché (The hidden God/Den fördolde Guden) \nIV. Acte de Foi (Act of Faith/En akt av tro) \nV. Puer natus est nobis (A child is born/Ett barn är oss fött) \nVI. La manne et le Pain de Vie (The Manna and the Bread of Life/Mannat och livets bröd) \nVII. Les ressuscités et la lumière de Vie (The Resurrected and the Light of Life/De uppståndna och livets ljus) \nVIII. Institution de l’Eucharistie (The Institution of the Eucharist/Eukaristins instiftande) \nIX. Les ténèbres (The Darkness/Mörkret) \nX. La Résurrection du Christ (The Resurrection of Christ/Kristi uppståndelse) \nXI. L’apparition de Christ ressuscité à Marie-Madeleine (The Appearance of the Risen Christ to Mary Magdalene/Den uppståndne Kristus uppenbarar sig för Maria Magdalena) \nXII. La Transsubstantiation (The Transubstantiation/Förvandlingen) \nXIII. Les deux murailles d’eau (The Two Walls of Water/De två vattenmurarna) \nXIV. Prière avant la communion (Prayer before Communion/Bön före kommunionen) \nXV. La joie de la grâce (The Joy of Grace/Den glädje som nåden skänker) \nXVI. Prière après la communion (Prayer after Communion/Bön efter kommunionen) \nXVII. La Présence multipliée (The Presence multiplied/Den mångfaldiga Närvaron) \nXVIII. Offrande et Alleluia final (Offering and Final Alleluia/Frambärande och avslutande Halleluja) \nHans–Ola Ericsson\, organ \n  \nLivre du Saint Sacrement is a concert by Göteborg Symphony Orchestra and Göteborg International Organ Festival in collaboration with Göteborg Art Sounds. 
URL:https://2025.gas-festival.com/event/olivier-messiaen-livre-du-saint-sacrement-se/
LOCATION:Örgryte nya kyrka\, Lennart Svegelius V 10\, Göteborg\, 41374\, Sweden
CATEGORIES:2024,2024-13/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/2-GIOA-13-okt.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241012T190000
DTEND;TZID=Europe/Stockholm:20241012T200000
DTSTAMP:20260615T215021
CREATED:20241003T180012Z
LAST-MODIFIED:20241003T183157Z
UID:369209-1728759600-1728763200@2025.gas-festival.com
SUMMARY:Sunna Gunnlaugs Trio [IS]
DESCRIPTION:The trio consists\, in addition to Sunna on piano\, of Þorgrímur Jónsson on bass and Scott McLemore on drums. \nThis is a concert arranged by Knutpunkt and Musik i Lerum in collaboration with Göteborg Art Sounds \nLinks: \nhttps://tereselienevenstad.com/
URL:https://2025.gas-festival.com/event/sunna-gunnlaugs-trio-is-2/
LOCATION:Dergårdsteatern\, Lerum\, Alingsåsvägen 9\, Lerum\, 443 35\, Sweden
CATEGORIES:2024,2024-12/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/10/Sunna.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20241011T193000
DTEND;TZID=Europe/Stockholm:20241011T204000
DTSTAMP:20260615T215021
CREATED:20240821T061458Z
LAST-MODIFIED:20240823T110154Z
UID:366721-1728675000-1728679200@2025.gas-festival.com
SUMMARY:GIOA: GALA FESTIVAL CONCERT — JOURNEYS IN TIME AND SPACE [SE]
DESCRIPTION:Charles-Marie Widor (1844–1937)\nAllegro from Symphony No. 6\, Opus 42\, No. 2\nHans Davidsson\, Willis organ\nDavidsson Organ and Dance Collaborative \nHymn Improvisation Journey\nSietze de Vries\, Baroque organ \nIsagel Suite from Aniara\nText: Harry Martinson\, 1959\nMusic: Carl Unander-Scharin (1\, 3\, 5\, 6\, 8) 2019/2024\nMusic: Carl and Åsa Unander-Scharin: (4\, 7) 2019\nMusic: Åsa Unander-Scharin (2) 2019 \nÅsa Unander-Scharin: choreography\, music\, dance\, observer\nCarl Unander-Scharin: music\, tenor\, throat\nAmanda Flodin\, alto\nKarl-Peter Eriksson\, baritone\nHans Davidsson\, baroque organ\nGusten Aldenklint\, Ljudhavet\nMagnus Lorentzson\, light design\nUlrika Davidsson\, stage director \nThe Observer system and The Throat system are developed by Åsa Unander-Scharin\, Carl Unander-Scharin and Ludvig Elblaus. In the systems\, recordings by Åsa Unander-Scharin (viola da gamba)\, Carl Unander-Scharin (harpsichord)\, Dorota Siuda (violin) and Hans Davidsson (organ)\, are heard. \nI. Människan\, askans konung\, tenor and organ\nII. Doris landi\, dancer\, observer\nIII. Själv har jag inget namn\, Passacaglia\, tenor and organ\nIV. Den livligt sprattlande ingivelsen\, tenor\, throat\, dancer\, observer\nV. Jag ska berätta vad jag hört om glas\, tenor and organ\nVI. Spjutet\, Toccata\, dancer and organ\nVII. Osynlig för vårt öga gled hon undan\, tenor\, throat\, organ\, dancer\, observer\nVIII. Det finns skydd för nästan allt\, alto\, tenor\, baryton\, organ \nMatthias Weckman (?1616–1674)\nWeine nicht\, es hat überwunden der Löwe von Stamm Juda\nSacred concerto from the year 1663 when the plague descended on Hamburg \nAmanda Flodin\, alto\nCarl Unander-Scharin\, tenor\nKarl-Peter Eriksson\, bass\nArrangement for voices and organ\, Hans Davidsson\nArina Trostyanetskaya\, dance\nDavidsson Organ and Dance Collaborative \nNOTES FOR THE ISAGEL-SUITE \nDuring the spring of 2019\, we began to create a new work based on Harry Martinson’s long suite of poems\, “Aniara”. In 1956\, Swedish poet Harry Martinson (1904–1978) wrote and published his epic poetry suite depicting a spaceship that has lost its course after leaving an earth devastated by war and environmental disaster. His audience was surprised to read this new kind of poetry by their beloved and quite rurally oriented poet. The poems formed the basis for the opera Aniara (1959)\, with a libretto by Erik Lindegren and music by Karl-Birger Blomdahl. The opera was a huge success and toured internationally. \nIn our adaptation of Aniara\, we chose the poems that depict the female pilot Isagel. We wanted to find a way of picturing her relation to the work’s narrator Mimaroben: a relation that is full of mutual respect and fascination for deep scientific thought\, as well as shared abhorrence for the cold\, dark and lonely space outside of the ship. They also share concerns for the remaining few humans and their hopeless future. \nTickets can also be purchased at the door! \nJourneys in Time and Space is a concert by Göteborg International Organ Festival in collaboration with the Parish of Örgryte and Göteborg Art Sounds. \nFoto: Shai Levi
URL:https://2025.gas-festival.com/event/gioa-gala-festival-concert-journeys-in-time-and-space-se/
LOCATION:Örgryte nya kyrka\, Lennart Svegelius V 10\, Göteborg\, 41374\, Sweden
CATEGORIES:2024,2024-11/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2024/08/Gala2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T220000
DTEND;TZID=Europe/Stockholm:20221022T225000
DTSTAMP:20260615T215021
CREATED:20220831T102320Z
LAST-MODIFIED:20220930T112320Z
UID:310501-1666476000-1666479000@2025.gas-festival.com
SUMMARY:Alex Smoke [UK]
DESCRIPTION:His main interest is in combining traditional forms of composition and musicianship with the more experimental approaches allowed by modern technology. \nInitially trained in classical cello\, drums and singing\, then progressing to electronic production under a range of monikers including Wraetlic\, he has since increasingly focussed on sound for picture\, psycho-acoustics and collaborations with visual artists and orchestral musicians. Recent work has included scoring BBC science programmes\, Order & Disorder and Mechanical Marvels: Clockwork Dreams\, composing a score for Scottish Ballet’s Sibilo and providing music for various other film projects. He also regularly collaborates with visual artist Florence To on installation performances under the name of CØV and Nagoya-based Vokoi on the audiovisual performance project Wraetlic. \nCreation\nFor Creation\, Alex Smoke draws on the Eastern musical tradition that a performance should respond to its own unique environment\, circumstances and audience. He has created a musical instrument: a seven string zither\, which generates harmonics and overtones when its strings are played. As the zither’s repeated\, amplified notes encircle and flow around his audience\, Smoke will use vocals and the chimes of bells to build a spiralling sonic meditation. \nThis concert is curated by Cathie Boyd. \nLinks:\nhttps://alexsmoke.com/\nhttps://open.spotify.com/artist/6x9vRR3sKuI18TqfPqXcvk?si=TJj5pKGsRne0SkxmCkE20A
URL:https://2025.gas-festival.com/event/alex-smoke-uk/
LOCATION:Masthuggskyrkan\, Storebackegatan 15\, Göteborg\, 41318\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Alex-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T200000
DTEND;TZID=Europe/Stockholm:20221022T210000
DTSTAMP:20260615T215021
CREATED:20220907T174505Z
LAST-MODIFIED:20220930T112415Z
UID:311422-1666468800-1666472400@2025.gas-festival.com
SUMMARY:France Jobin & Markus Heckmann [CA/DE]
DESCRIPTION:Entanglement is an artistic project at the crossroads of scientific research inspired by the concept and properties of entanglement in quantum physics and quantum fields theory. The sources of inspiration of France Jobin and Markus Heckmann are based on the two current dominant theories explaining quantum entanglement: the Copenhagen interpretation and the multiverse. In addition to these two theories\, there is the fluidity of time and the principle of quantum entanglement. The Entanglement AV performance is inspired by the same theories; an ambitious immersive experience that has also been translated into Entanglement xr and it is part of Mutek’s Immersive collection. \nAbout France Jobin \nFrance Jobin is a sound artist\, composer and curator residing in Montreal\, Canada. Her audio art can be qualified as “sound-sculpture”\, revealing a minimalist approach to complex sound environments where analog and digital intersect. Her installations express a parallel path\, incorporating both musical and visual elements inspired by the architecture of physical spaces. Her works can be experienced in a variety of unconventional spaces and new technology festivals across the world. Since 2009\, her focus has been related to Quantum mechanics. Many of her projects are inspired by theories related to topics such as vacuum decay\, string theory and more recently\, what she feels to be the most perplexing phenomenon in the world of the quantum\, entanglement resulting in a first presentation\, Entanglement A/V\, with visual artist Markus Heckmann\, which delves into the realms of quantum physics premiered at Mutek Mtl 2021. \nAbout Markus Heckmann \nBorn in Germany in 1977\, Markus Heckmann studied Media-technology at the University of Ilmenau and the Bauhaus University in Weimar before obtaining in 2006 the position of Technical Director at Derivative\, the maker of TouchDesigner\, in Toronto. Heckmann’s personal works have always tended to combine the aesthetic aspects of generative computer graphics with the almost physical aspects of light. Apart from producing visuals and installations for artists like Carsten Nicolai or applications to control the KineticLights of WHITEvoid\, he occasionally takes care of visual stimuli at techno events under the nickname Wüstenarchitekten. \nLinks: \nhttps://www.francejobin.com/ \nhttps://project1.net/
URL:https://2025.gas-festival.com/event/france-jobin-markus-heckmann-ca-de/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/JobinHeckmann-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T190000
DTEND;TZID=Europe/Stockholm:20221022T200000
DTSTAMP:20260615T215021
CREATED:20220907T174226Z
LAST-MODIFIED:20220930T112408Z
UID:311416-1666465200-1666468800@2025.gas-festival.com
SUMMARY:Myriam Boucher [CA]
DESCRIPTION:The Tuning of the Fields tends to evoke those moments of solitude and wonder\, and that feeling of suspended time that inhabits us when listening to the song of the crickets\, eyes closed\, at night\, lying in a field.\n\nAbout Myriam Boucher\nMyriam Boucher is a video and sound artist based in Montreal\, Canada. Her sensitive and polymorphic work concerns the intimate dialogue between music\, sound and image\, through visual music\, audiovisual performance\, Vj-ing and immersive projects. Fascinated by the natural environment\, she creates audiovisual compositions from the landscape and the relationship that human maintains with it. Her work\, « evocative in its dynamism\, brings its audience close to something akin to feeling multiple emotions all at once » (The Link). Boucher’s compositions range from works for orchestra\, ensemble\, collaborative and solo A/V performances. \nLinks:\nhttps://www.myriamboucher.com/
URL:https://2025.gas-festival.com/event/myriam-boucher-ca/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Myriam-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221022T180000
DTEND;TZID=Europe/Stockholm:20221022T190000
DTSTAMP:20260615T215021
CREATED:20220831T103556Z
LAST-MODIFIED:20220930T112401Z
UID:310506-1666461600-1666465200@2025.gas-festival.com
SUMMARY:Pierre-Luc Lecours & Ida Toninato [CA]
DESCRIPTION:Inner Seas is an audiovisual performance that revolves around the theme of water\, its movements\, its energy. With this project\, Ida Toninato and Pierre-Luc Lecours create a hybrid universe\, at the crossroads of instrumental and electronic worlds\, where baritone saxophone\, modular synthesizer and electric guitar meet. The two creators are accompanied by video projections generated by the sound and projected on two screens placed behind the musicians. \nPierre-Luc Lecours \nPierre-Luc Lecours is a composer and multidisciplinary artist based in Montréal. His artistic practice covers many different mediums and aesthetics\, ranging from music to video and performance. His work is characterized by a search for expressiveness in projects exploring an artistic process aimed at drawing relationships between form\, format\, and content. His influences come as much from the currents of instrumental and electroacoustic contemporary music as from electronic and experimental music. His performances feature everyday objects combined with traditional instrumentation and written-down scoring. \nIda Toninato \nSaxophonist and composer Ida Tonniato lives in Montreal (QC). Her artistic practice delves in acoustic exploration\, reverberant spaces as she creates sonic hybrid universes in which instrumental and electronic are intimatelly intertwinde. Her most recent album\, We Become giants\, has been entirely composed in a former water cistern with a 40 seconds long reverb (Dragon’s eye recordings\, 2020). Her collaborations have roots in different styles and medium\, such as contemporary and improvised music\, ambient and cinema. \n  \nLinks: \nhttps://pierreluclecours.com/ \nhttps://www.idatoninato.com/
URL:https://2025.gas-festival.com/event/pierre-luc-lecours-ida-toninato-ca/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-22/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/IdaPierre-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T220000
DTEND;TZID=Europe/Stockholm:20221021T230000
DTSTAMP:20260615T215021
CREATED:20220902T055249Z
LAST-MODIFIED:20220902T060542Z
UID:310730-1666389600-1666393200@2025.gas-festival.com
SUMMARY:Gageego! [SE]
DESCRIPTION:Inspired by the new concert house organ\, Swedish composer Madeleine Isaksson has written a brand new piece for Gageego! and organ. And this evening we get to experience the premiere of that piece! \nThe evening also consists of Isaksson’s piece Fibres for flute\, violin and guitar as well as Anna Korsun’s Spleen for flute\, clarinet\, saxophone\, violin and cello. In Germany based Marina Khrokova’s Installationen the entire sonorous spectrum of the organ is explored. Hans Hellsten\, professor in organ at Malmö Musikhögskola and a specialist in contemporary organ music is this evening’s soloist. \nAbout Gageego!\nGageego! was founded in 1995 and specialises in exploring and making contemporary music more accessible. As one of the most important new forces in Music Sweden\, the ensemble is appreciated for interpreting today’s music at the highest technical and artistic level in a fun and curious way. \nThe concert is presented in collaboration with Göteborg International Organ Festival and Göteborgs Konserthus. \nTickets: \nhttps://tickets.gso.se/sv/buyingflow/tickets/10684/54087/ \nLinks:\nhttps://gageego.se/
URL:https://2025.gas-festival.com/event/gageego-se-2/
LOCATION:Göteborgs Konserthus\, Götaplatsen 8\, Göteborg\, Västra götaland\, 412 56\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Gageego-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T204500
DTEND;TZID=Europe/Stockholm:20221021T211500
DTSTAMP:20260615T215021
CREATED:20220907T172700Z
LAST-MODIFIED:20221011T175702Z
UID:311398-1666385100-1666386900@2025.gas-festival.com
SUMMARY:Sonia Killmann [UK]
DESCRIPTION:Sonia has been exploring the relationship between sound and environment. Her works often involve field recordings\, as well as a mixture of live processing and audiovisual music. Combining her background in electronic music\, digital media and new music\, Sonia is a graduate of the University of Glasgow and went onto to complete her MA in composition at the Royal Conservatoire of Scotland. \nSonia is also a versatile saxophone player and an experienced performer in both live electronic and acoustic music across venues in Europe. Aside from performing\, she has also showcased her installations in venues\, such as the Riverside Museum in Glasgow. In September 2021 Sonia performed Them! There! Eyes? live at Construction Festival in Dnipro (Ukraine). The performance took place at the Palace of Children and Youth. She also showcased this work in February 2021 as part of Sonic Bites.\n\nThem! There! Eyes?\nSonia Killmann’s highly stylised audiovisual work addresses the concept of eye contact as a powerful feature in creating emotional bonds. Consisting of broken up and heavily processed samples of Ella Fitzgerald’s recording of Them There Eyes\, merged with synthesizer sounds and field recordings\, the singer’s voice becomes unrecognisable as it accompanies extracts of Fritz Lang’s pioneering sci-fi epic\, Metropolis. \nThis concert is curated by Cathie Boyd. \nLinks:\nhttps://sonia-killmann.com/work\nhttps://www.youtube.com/channel/UC1ByUCmEgEIXAwwH2Ml0ITg
URL:https://2025.gas-festival.com/event/sonia-killmann-uk/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/png:https://2025.gas-festival.com/wp-content/uploads/2022/09/Sonia-Listning.png
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221021T190000
DTEND;TZID=Europe/Stockholm:20221021T200000
DTSTAMP:20260615T215021
CREATED:20220907T173551Z
LAST-MODIFIED:20220930T112203Z
UID:311408-1666378800-1666382400@2025.gas-festival.com
SUMMARY:Zwerm [BE]
DESCRIPTION:Zwerm is an electric guitar quartet based in Belgium and founded in 2007. Over the years the group has collaborated with various composers\, performers and visual artists. Zwerm has never strived for a one-sided artistic profile. During the past fifteen years the quartet dallied between experimental rock\, English renaissance music and contemporary compositions. The common denominator being not so much a particular stylistic view but rather a shared curiosity in all kinds of music. \nThe two pieces that comprises Our Ears Felt Like Canyons II were composed for Zwerm during a period of intense and worldwide changes. Both of the works are an invitation to submerge into an almost physical world of sound. \n‘The piece Curtains was created at a time when the meaning of the word war started to change from something far away into something that came very close. One might be tempted to add iron to the title\, but it is up to the listener to decide which curtains should be opened and which one should be closed. Avaeken is named after the millenium-plus-old oak on the island of Fårö in Gotland\, Sweden. This royal tree has survived and lived through unfathomable time and weather and serves as a reminder of the brevity of human experience in immense time-space and inspiration\, consciousness place and presence. The piece was composed during the month of November 2020\, when the composer sheltered on Fårö in retreat and recovery during the Covid-19 pandemic. \nThis concert is curated by Joost Fonteyne. \nLinks:\nhttp://www.zwerm.be/
URL:https://2025.gas-festival.com/event/zwerm-be/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-21/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/09/Zwerm-Listning.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T220000
DTEND;TZID=Europe/Stockholm:20221020T224000
DTSTAMP:20260615T215021
CREATED:20220824T132242Z
LAST-MODIFIED:20220914T205236Z
UID:309801-1666303200-1666305600@2025.gas-festival.com
SUMMARY:Heidi Hörsturz [NL]
DESCRIPTION:In her works she examines the influence of new technologies and the social questions that have arisen as a result of digital development. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttps://www.heidihoersturz.com/
URL:https://2025.gas-festival.com/event/heidi-horsturz-nl/
LOCATION:Skeppet GBG\, Amerikagatan 2\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning4.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20221020T210000
DTEND;TZID=Europe/Stockholm:20221020T214000
DTSTAMP:20260615T215021
CREATED:20220824T130650Z
LAST-MODIFIED:20220914T205246Z
UID:309797-1666299600-1666302000@2025.gas-festival.com
SUMMARY:XAIM [IL]
DESCRIPTION:He also known as the creator and the leader of Quetev Meriri\, a well acclaim and one of the most prominent bands of the experimental scene in Israel. XAIM exists in the merging of drones\, noise and abstract rhythmic landscapes. \nThe concert is part of Experimental Music Expo and is presented in collaboration with Higab. \nLinks: \nhttps://open.spotify.com/artist/1Sjf0OzJtYRy6U81oOVeoS \nhttps://music.apple.com/il/artist/xaim/1491791903 \nhttps://wikitia.com/wiki/Haim_Rachmani
URL:https://2025.gas-festival.com/event/xaim-il/
LOCATION:Oceanen\, Stigbergstorget 8\, Göteborg\, 41463\, Sweden
CATEGORIES:2022,2022-20/10
ATTACH;FMTTYPE=image/jpeg:https://2025.gas-festival.com/wp-content/uploads/2022/08/Listning3.jpg
ORGANIZER;CN="GAS":MAILTO:info@gas-festival.com
END:VEVENT
END:VCALENDAR