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DTSTART;TZID=Europe/Stockholm:20241011T193000
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SUMMARY:GIOA: GALA FESTIVAL CONCERT — JOURNEYS IN TIME AND SPACE [SE]
DESCRIPTION:Charles-Marie Widor (1844–1937)\nAllegro from Symphony No. 6\, Opus 42\, No. 2\nHans Davidsson\, Willis organ\nDavidsson Organ and Dance Collaborative \nHymn Improvisation Journey\nSietze de Vries\, Baroque organ \nIsagel Suite from Aniara\nText: Harry Martinson\, 1959\nMusic: Carl Unander-Scharin (1\, 3\, 5\, 6\, 8) 2019/2024\nMusic: Carl and Åsa Unander-Scharin: (4\, 7) 2019\nMusic: Åsa Unander-Scharin (2) 2019 \nÅsa Unander-Scharin: choreography\, music\, dance\, observer\nCarl Unander-Scharin: music\, tenor\, throat\nAmanda Flodin\, alto\nKarl-Peter Eriksson\, baritone\nHans Davidsson\, baroque organ\nGusten Aldenklint\, Ljudhavet\nMagnus Lorentzson\, light design\nUlrika Davidsson\, stage director \nThe Observer system and The Throat system are developed by Åsa Unander-Scharin\, Carl Unander-Scharin and Ludvig Elblaus. In the systems\, recordings by Åsa Unander-Scharin (viola da gamba)\, Carl Unander-Scharin (harpsichord)\, Dorota Siuda (violin) and Hans Davidsson (organ)\, are heard. \nI. Människan\, askans konung\, tenor and organ\nII. Doris landi\, dancer\, observer\nIII. Själv har jag inget namn\, Passacaglia\, tenor and organ\nIV. Den livligt sprattlande ingivelsen\, tenor\, throat\, dancer\, observer\nV. Jag ska berätta vad jag hört om glas\, tenor and organ\nVI. Spjutet\, Toccata\, dancer and organ\nVII. Osynlig för vårt öga gled hon undan\, tenor\, throat\, organ\, dancer\, observer\nVIII. Det finns skydd för nästan allt\, alto\, tenor\, baryton\, organ \nMatthias Weckman (?1616–1674)\nWeine nicht\, es hat überwunden der Löwe von Stamm Juda\nSacred concerto from the year 1663 when the plague descended on Hamburg \nAmanda Flodin\, alto\nCarl Unander-Scharin\, tenor\nKarl-Peter Eriksson\, bass\nArrangement for voices and organ\, Hans Davidsson\nArina Trostyanetskaya\, dance\nDavidsson Organ and Dance Collaborative \nNOTES FOR THE ISAGEL-SUITE \nDuring the spring of 2019\, we began to create a new work based on Harry Martinson’s long suite of poems\, “Aniara”. In 1956\, Swedish poet Harry Martinson (1904–1978) wrote and published his epic poetry suite depicting a spaceship that has lost its course after leaving an earth devastated by war and environmental disaster. His audience was surprised to read this new kind of poetry by their beloved and quite rurally oriented poet. The poems formed the basis for the opera Aniara (1959)\, with a libretto by Erik Lindegren and music by Karl-Birger Blomdahl. The opera was a huge success and toured internationally. \nIn our adaptation of Aniara\, we chose the poems that depict the female pilot Isagel. We wanted to find a way of picturing her relation to the work’s narrator Mimaroben: a relation that is full of mutual respect and fascination for deep scientific thought\, as well as shared abhorrence for the cold\, dark and lonely space outside of the ship. They also share concerns for the remaining few humans and their hopeless future. \nTickets can also be purchased at the door! \nJourneys in Time and Space is a concert by Göteborg International Organ Festival in collaboration with the Parish of Örgryte and Göteborg Art Sounds. \nFoto: Shai Levi
URL:https://2025.gas-festival.com/event/gioa-gala-festival-concert-journeys-in-time-and-space-se/
LOCATION:Örgryte nya kyrka\, Lennart Svegelius V 10\, Göteborg\, 41374\, Sweden
CATEGORIES:2024,2024-11/10
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